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Contributors

Contributors Robert Crowe is a male soprano, the first in Listening to Bach: The Mass in B Minor and history to be a national winner of the the Christmas Oratorio, was published in 2018 Metropolitan Opera Competition, and has sung by Oxford University Press. over eighty operatic and dramatic oratorio roles in Europe, North America, and India. He fin- Shaena B. Weitz holds a PhD in musicology from ished his PhD in historical musicology at the City University of New York (CUNY) Boston University in 2017 and is the artistic Graduate Center, and she specializes in cultural director of the Festival für Alte Musik in Aalen studies of late-eighteenth- and early-nine- (Germany). In addition to his scholarly work, teenth-century France, including music journal- he is an active singer and teacher of voice and ism and media studies, virtuosity and celebrity, period vocal style. His critical edition of thirty and historically informed performance and cre- ornamented arias of the last operatic castrato, ative practices. Her research has been supported Giambattista Velluti, will be released in early by a CUNY Dissertation Year Fellowship and 2020 with A-R Editions. the Elizabeth C. Bartlet grant from the American Musicological Society, and her work has appeared Daniel R. Melamed is professor at the Indiana in Piano Culture  in Nineteenth-Century Paris University Jacobs School of Music. He serves and  Musical Quarterly.  Her current book proj- as General Editor for the American Bach ect,  provisionally entitled  Rescinding Genius, Society and as adviser to the Bloomington Bach examines fame and publicity in the early Cantata Project. His most recent book, nineteenth century. 19th Century Music, vol. 43, no. 1, pp. 61–62. ISSN: 0148-2076, electronic ISSN: 1533-8606 © 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/journals/ reprints-permissions. https://doi.org/10.1525/ncm.2019.43.1.61. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 43 (1): 1 – Jul 1, 2019

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Publisher
University of California Press
Copyright
© 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/journals/reprints-permissions.
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2019.43.1.61
Publisher site
See Article on Publisher Site

Abstract

Robert Crowe is a male soprano, the first in Listening to Bach: The Mass in B Minor and history to be a national winner of the the Christmas Oratorio, was published in 2018 Metropolitan Opera Competition, and has sung by Oxford University Press. over eighty operatic and dramatic oratorio roles in Europe, North America, and India. He fin- Shaena B. Weitz holds a PhD in musicology from ished his PhD in historical musicology at the City University of New York (CUNY) Boston University in 2017 and is the artistic Graduate Center, and she specializes in cultural director of the Festival für Alte Musik in Aalen studies of late-eighteenth- and early-nine- (Germany). In addition to his scholarly work, teenth-century France, including music journal- he is an active singer and teacher of voice and ism and media studies, virtuosity and celebrity, period vocal style. His critical edition of thirty and historically informed performance and cre- ornamented arias of the last operatic castrato, ative practices. Her research has been supported Giambattista Velluti, will be released in early by a CUNY Dissertation Year Fellowship and 2020 with A-R Editions. the Elizabeth C. Bartlet grant from the American Musicological Society, and her work has appeared Daniel R. Melamed is professor at the Indiana in Piano Culture  in Nineteenth-Century Paris University Jacobs School of Music. He serves and  Musical Quarterly.  Her current book proj- as General Editor for the American Bach ect,  provisionally entitled  Rescinding Genius, Society and as adviser to the Bloomington Bach examines fame and publicity in the early Cantata Project. His most recent book, nineteenth century. 19th Century Music, vol. 43, no. 1, pp. 61–62. ISSN: 0148-2076, electronic ISSN: 1533-8606 © 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/journals/ reprints-permissions. https://doi.org/10.1525/ncm.2019.43.1.61.

Journal

19th-Century MusicUniversity of California Press

Published: Jul 1, 2019

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