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Contributors

Contributors INDEX Aleksandar Molnar is full professor at the University of Belgrade (Faculty of Philosophy, Department of Sociology) in Serbia. He teaches history of political and social theories, classical sociological theories and introduction to sociology of music. He also taught at the University of Novi Sad (Serbia) and the University of Göttingen. Most of his books and articles are devoted to various (political, legal, philosophical, religious, artistic) aspects of the Enlightenment and Romanticism, as well as to their controversial relationship (especially in Prussia/ Germany between 1795 and 1945). Dragana Jeremi Molnar is associate professor c of musicology at the University of Arts in Belgrade. She studied in Belgrade and Munich and also taught music history at the Academy of Arts in Novi Sad. Her research interests include music history, sociology of music, and applied psychoanalysis, with particular emphasis on the long nineteenth century in Germany and Austria. She has published two books on Wagner, a two-volume psychoanalytic study of Mussorgsky, and a comprehensive book on the theme of wandering in the Winterreise cycles by Müller and Schubert. Don Michael Randel is Professor Emeritus of Music at the University of Chicago and at Cornell University and President Emeritus of the University of Chicago and the Andrew W. Mellon Foundation. He has written about music of the Middle Ages and the Renaissance as well as about Latin American popular music, and he is the editor of the Harvard Dictionary of Music, fourth edition. Kevin Salfen is associate professor of music history at the University of the Incarnate Word in San Antonio, Texas. His work on Britten has been presented at numerous conferences and published in Music & Letters. Salfen is a member of the international troupe Theatre Nohgaku and has performed several Japanese noh dramas with them. He is also an active composer, and his works have been performed in England, China, and throughout the United States. Currently a PhD candidate in music history and theory at the University of Chicago, Claudio Vellutini studied musicology at the University of Pavia-Cremona (BA and MA). He also received a Diploma in Violin at the Istituto Musicale "Claudio Monteverdi" in Cremona. In Chicago he collaborates with the Center for Italian Opera Studies and is working on a dissertation on Italian opera in Restoration Vienna and its interaction with Habsburg cultural politics. Awarded an Ernst-Mach Fellowship from the Österreichisches Austauschdienst, the exchange agency funded by the Austrian Federal Ministry of Science and Research (2012­13), he is a recipient of an Alvin H. Johnson AMS 50 Dissertation Fellowship for the 2014­15 academic year. He has contributed to Cambridge Opera Journal (2013) and regularly writes for opera houses and festivals. 19th-Century Music, vol. 38, no. 1, pp. 113­14. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2014 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.38.1.113. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 38 (1) – Jul 1, 2014
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Publisher
University of California Press
Copyright
© 2014 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2014.38.1.113
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Abstract

INDEX Aleksandar Molnar is full professor at the University of Belgrade (Faculty of Philosophy, Department of Sociology) in Serbia. He teaches history of political and social theories, classical sociological theories and introduction to sociology of music. He also taught at the University of Novi Sad (Serbia) and the University of Göttingen. Most of his books and articles are devoted to various (political, legal, philosophical, religious, artistic) aspects of the Enlightenment and Romanticism, as well as to their controversial relationship (especially in Prussia/ Germany between 1795 and 1945). Dragana Jeremi Molnar is associate professor c of musicology at the University of Arts in Belgrade. She studied in Belgrade and Munich and also taught music history at the Academy of Arts in Novi Sad. Her research interests include music history, sociology of music, and applied psychoanalysis, with particular emphasis on the long nineteenth century in Germany and Austria. She has published two books on Wagner, a two-volume psychoanalytic study of Mussorgsky, and a comprehensive book on the theme of wandering in the Winterreise cycles by Müller and Schubert. Don Michael Randel is Professor Emeritus of Music at the University of Chicago and at Cornell University and President Emeritus of the University of Chicago and the Andrew W. Mellon Foundation. He has written about music of the Middle Ages and the Renaissance as well as about Latin American popular music, and he is the editor of the Harvard Dictionary of Music, fourth edition. Kevin Salfen is associate professor of music history at the University of the Incarnate Word in San Antonio, Texas. His work on Britten has been presented at numerous conferences and published in Music & Letters. Salfen is a member of the international troupe Theatre Nohgaku and has performed several Japanese noh dramas with them. He is also an active composer, and his works have been performed in England, China, and throughout the United States. Currently a PhD candidate in music history and theory at the University of Chicago, Claudio Vellutini studied musicology at the University of Pavia-Cremona (BA and MA). He also received a Diploma in Violin at the Istituto Musicale "Claudio Monteverdi" in Cremona. In Chicago he collaborates with the Center for Italian Opera Studies and is working on a dissertation on Italian opera in Restoration Vienna and its interaction with Habsburg cultural politics. Awarded an Ernst-Mach Fellowship from the Österreichisches Austauschdienst, the exchange agency funded by the Austrian Federal Ministry of Science and Research (2012­13), he is a recipient of an Alvin H. Johnson AMS 50 Dissertation Fellowship for the 2014­15 academic year. He has contributed to Cambridge Opera Journal (2013) and regularly writes for opera houses and festivals. 19th-Century Music, vol. 38, no. 1, pp. 113­14. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2014 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.38.1.113.

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19th-Century Music – University of California Press

Published: Jul 1, 2014

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