Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Contributors

Contributors COMMUNICATIONS Katherine Kolb is professor of French and German and Distinguished Teaching Professor in the Humanities at Southeastern Louisiana University. She works in literature and music from classicism to modernity, with a specialty in nineteenth-century discourse on music. Cormac Newark has held research positions at the University of Cambridge and the Università degli Studi di Ferrara; his published work includes articles on French and Italian nineteenthcentury opera and literature (Cambridge Opera Journal and the Journal of the Royal Musical Association) and contributions to various collections of essays. He currently lectures at the University of Ulster. Inge van Rij is a senior lecturer in musicology at the New Zealand School of Music at Victoria University of Wellington. She is the author of Brahms's Song Collections (Cambridge University Press, 2006) and is currently completing her study The Other Worlds of Hector Berlioz for the same publisher. 19th-Century Music invites submissions for a special issue on film music, conceived broadly as music for moving pictures. As our regular readers know, the journal's interests go well beyond the chronological limits of the nineteenth century. The presence of nineteenth-century music in twentieth-century music and culture is a topic we have explored before and would like to explore further. The development of cinema offers an especially rich opportunity because this preeminently twentieth-century medium was deeply engaged from the outset with the previous century's music. Articles submitted for the special issue may have a historical, analytical, or critical focus. The range of topics available includes (but is not limited to) the archeology of film in nineteenth-century dioramas, panoramas, and tableaux vivants; the ongoing influence of late-Romantic music on film scoring; the extradiegetic use of nineteenth-century music in film generally or in specific films; and the diegetic appearance of nineteenth-century works, composers, and performers in motion pictures from the silent era until today. There is no fixed deadline for submission; articles on this topic are welcome at any time. 19th-Century Music, vol. 33, no. 1, p.79. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2009 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2009.33.1.079. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 33 (1) – Jul 1, 2009
Free
Download PDF
1 page

Loading next page...
 
/lp/university-of-california-press/contributors-ozLaAmHV7u
Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2009.33.1.079
Publisher site
See Article on Publisher Site

Abstract

COMMUNICATIONS Katherine Kolb is professor of French and German and Distinguished Teaching Professor in the Humanities at Southeastern Louisiana University. She works in literature and music from classicism to modernity, with a specialty in nineteenth-century discourse on music. Cormac Newark has held research positions at the University of Cambridge and the Università degli Studi di Ferrara; his published work includes articles on French and Italian nineteenthcentury opera and literature (Cambridge Opera Journal and the Journal of the Royal Musical Association) and contributions to various collections of essays. He currently lectures at the University of Ulster. Inge van Rij is a senior lecturer in musicology at the New Zealand School of Music at Victoria University of Wellington. She is the author of Brahms's Song Collections (Cambridge University Press, 2006) and is currently completing her study The Other Worlds of Hector Berlioz for the same publisher. 19th-Century Music invites submissions for a special issue on film music, conceived broadly as music for moving pictures. As our regular readers know, the journal's interests go well beyond the chronological limits of the nineteenth century. The presence of nineteenth-century music in twentieth-century music and culture is a topic we have explored before and would like to explore further. The development of cinema offers an especially rich opportunity because this preeminently twentieth-century medium was deeply engaged from the outset with the previous century's music. Articles submitted for the special issue may have a historical, analytical, or critical focus. The range of topics available includes (but is not limited to) the archeology of film in nineteenth-century dioramas, panoramas, and tableaux vivants; the ongoing influence of late-Romantic music on film scoring; the extradiegetic use of nineteenth-century music in film generally or in specific films; and the diegetic appearance of nineteenth-century works, composers, and performers in motion pictures from the silent era until today. There is no fixed deadline for submission; articles on this topic are welcome at any time. 19th-Century Music, vol. 33, no. 1, p.79. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2009 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2009.33.1.079.

Journal

19th-Century Music – University of California Press

Published: Jul 1, 2009

There are no references for this article.