Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Contributors

Contributors TH CENTURY MUSIC Marc Brooks is an Early Career Associate at the Educated at University College Dublin and the Institute of Musical Research in London and University of Cambridge, David Larkin is a lectures part time at the University of Vienna. lecturer in music at the University of Sydney. His recently completed PhD explores the rela- His research focuses on issues such as progress, tionship between science and religion in the program music, and compositional influence libretto and music of the operas Wozzeck and in connection with Liszt, Wagner, Richard Arabella. In his continuing research into Ger- Strauss, and similar figures. He has published man opera, as well as his new work on sound articles in Musical Quarterly and Music and and music in American television, he displays the Moving Image (forthcoming), and book a commitment to bridging the gap between chapters in The Cambridge Companion to Ri- humanities and the sciences. Contact: chard Strauss and Rethinking Hanslick: Mu- Marc.Brooks@outlook.at. sic, Formalism and Expression. Martin Knust studied musicology, theology, and Karen Leistra-Jones is assistant professor of philosophy in Greifswald, Berlin, and Dresden, music at Franklin and Marshall College in earning his Magister Artium (M.A.) in musicol- Lancaster, Pennsylvania. Her research explores ogy in 2000 and Dr. phil. in 2006. Since 2007 the culture of Werktreue performance in the he has held appointments and lectureships at second half of the nineteenth century, and her the E.-M.-Arndt-University in Greifswald, the work has previously appeared in the Journal of Technical University in Berlin, University of the American Musicological Society. She was Örebro, and the Royal College of Music in recently awarded a summer stipend from the Stockholm. He was a postdoctoral research fel- National Endowment for the Humanities for low at the University of Stockholm and since her project entitled Curating the Musical Mu- 2013 a senior lecturer in musicology at Linnæus seum: The Brahms Circle and Modern Perfor- University in Växjö, Sweden. He has written mance. She received her PhD from Yale about Richard Wagner, Jean Sibelius, and other University in 2011. northern composers of the nineteenth through the twenty-first centuries, church music of the sixteenth century, and music of Cambodia. 302 19th-Century Music, vol. 38, no. 3, pp. 302–304. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2015 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2015.38.3.302. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Loading next page...
 
/lp/university-of-california-press/contributors-hxeV40bBZc
Publisher
University of California Press
Copyright
© 2015 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2015.38.3.302
Publisher site
See Article on Publisher Site

Abstract

TH CENTURY MUSIC Marc Brooks is an Early Career Associate at the Educated at University College Dublin and the Institute of Musical Research in London and University of Cambridge, David Larkin is a lectures part time at the University of Vienna. lecturer in music at the University of Sydney. His recently completed PhD explores the rela- His research focuses on issues such as progress, tionship between science and religion in the program music, and compositional influence libretto and music of the operas Wozzeck and in connection with Liszt, Wagner, Richard Arabella. In his continuing research into Ger- Strauss, and similar figures. He has published man opera, as well as his new work on sound articles in Musical Quarterly and Music and and music in American television, he displays the Moving Image (forthcoming), and book a commitment to bridging the gap between chapters in The Cambridge Companion to Ri- humanities and the sciences. Contact: chard Strauss and Rethinking Hanslick: Mu- Marc.Brooks@outlook.at. sic, Formalism and Expression. Martin Knust studied musicology, theology, and Karen Leistra-Jones is assistant professor of philosophy in Greifswald, Berlin, and Dresden, music at Franklin and Marshall College in earning his Magister Artium (M.A.) in musicol- Lancaster, Pennsylvania. Her research explores ogy in 2000 and Dr. phil. in 2006. Since 2007 the culture of Werktreue performance in the he has held appointments and lectureships at second half of the nineteenth century, and her the E.-M.-Arndt-University in Greifswald, the work has previously appeared in the Journal of Technical University in Berlin, University of the American Musicological Society. She was Örebro, and the Royal College of Music in recently awarded a summer stipend from the Stockholm. He was a postdoctoral research fel- National Endowment for the Humanities for low at the University of Stockholm and since her project entitled Curating the Musical Mu- 2013 a senior lecturer in musicology at Linnæus seum: The Brahms Circle and Modern Perfor- University in Växjö, Sweden. He has written mance. She received her PhD from Yale about Richard Wagner, Jean Sibelius, and other University in 2011. northern composers of the nineteenth through the twenty-first centuries, church music of the sixteenth century, and music of Cambodia. 302 19th-Century Music, vol. 38, no. 3, pp. 302–304. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2015 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2015.38.3.302.

Journal

19th-Century MusicUniversity of California Press

Published: Mar 1, 2015

There are no references for this article.