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Contributors

Contributors TH CENTURY MUSIC Adrian Daub is associate professor of German on a wide range of topics including global pop Studies at Stanford University. He is the au- music and music and empire. Her research con- thor of Tristan’s Shadow: The Total Work of siders music and empire in nineteenth- and Art after Wagner (Chicago UP, 2013) and Four- twentieth-century France with special atten- Handed Monsters: Four-Hand Piano Playing tion to the intertwining currents of modern- and Nineteenth Century Culture (Oxford UP, ism, exoticism, and nationalism. She also works 2014). on contemporary Indian music and film, focus- ing on south India’s urban centers and has orga- Halina Goldberg is associate professor of musi- nized conferences on a wide range of topics, cology at Indiana University’s Jacobs School of from postcolonial music studies (2009, Radcliffe Music (adjunct professor at the Sandra S. Borns Institute) to Proust and the Arts (2013, Harvard Jewish Studies Program and Affiliated Profes- University). Her published work appears in sor in Russian and East European Institute). the Journal of Musicological Research, Journal Her published and forthcoming projects explore of Asian Studies, Current Musicology, and the topics in cultural studies, music and politics, Journal of the American Musicological Soci- performance practice, and reception, with spe- ety. cial focus on nineteenth- and twentieth-cen- tury Poland and Eastern Europe, Chopin, and Benedict Taylor is Chancellor’s Fellow in the Jewish studies. She is the author of Music in Reid School of Music, University of Edinburgh. Chopin’s Warsaw (Oxford University Press, He is the author of two monographs, 2008) and editor of The Age of Chopin: Inter- Mendelssohn, Time and Memory: The Roman- disciplinary Inquiries (Indiana University Press, tic Conception of Cyclic Form (Cambridge, 2004). 2011) and The Melody of Time: Music and Tem- porality in the Romantic Era, published by Ox- Sindhumathi Revuluri is assistant dean for Fac- ford earlier this year, as well as a number of ulty Affairs, and formerly associate professor of articles on nineteenth- and twentieth- music, at Harvard University. She has taught century music. 290 19th-Century Music, vol. 39, no. 3, pp. 290–292. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2016 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/ journals.php?p=reprints. DOI: 10.1525/ncm.2016.39.3.290. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 39 (3): 1 – Mar 1, 2016

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Publisher
University of California Press
Copyright
© 2016 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2016.39.3.290
Publisher site
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Abstract

TH CENTURY MUSIC Adrian Daub is associate professor of German on a wide range of topics including global pop Studies at Stanford University. He is the au- music and music and empire. Her research con- thor of Tristan’s Shadow: The Total Work of siders music and empire in nineteenth- and Art after Wagner (Chicago UP, 2013) and Four- twentieth-century France with special atten- Handed Monsters: Four-Hand Piano Playing tion to the intertwining currents of modern- and Nineteenth Century Culture (Oxford UP, ism, exoticism, and nationalism. She also works 2014). on contemporary Indian music and film, focus- ing on south India’s urban centers and has orga- Halina Goldberg is associate professor of musi- nized conferences on a wide range of topics, cology at Indiana University’s Jacobs School of from postcolonial music studies (2009, Radcliffe Music (adjunct professor at the Sandra S. Borns Institute) to Proust and the Arts (2013, Harvard Jewish Studies Program and Affiliated Profes- University). Her published work appears in sor in Russian and East European Institute). the Journal of Musicological Research, Journal Her published and forthcoming projects explore of Asian Studies, Current Musicology, and the topics in cultural studies, music and politics, Journal of the American Musicological Soci- performance practice, and reception, with spe- ety. cial focus on nineteenth- and twentieth-cen- tury Poland and Eastern Europe, Chopin, and Benedict Taylor is Chancellor’s Fellow in the Jewish studies. She is the author of Music in Reid School of Music, University of Edinburgh. Chopin’s Warsaw (Oxford University Press, He is the author of two monographs, 2008) and editor of The Age of Chopin: Inter- Mendelssohn, Time and Memory: The Roman- disciplinary Inquiries (Indiana University Press, tic Conception of Cyclic Form (Cambridge, 2004). 2011) and The Melody of Time: Music and Tem- porality in the Romantic Era, published by Ox- Sindhumathi Revuluri is assistant dean for Fac- ford earlier this year, as well as a number of ulty Affairs, and formerly associate professor of articles on nineteenth- and twentieth- music, at Harvard University. She has taught century music. 290 19th-Century Music, vol. 39, no. 3, pp. 290–292. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2016 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/ journals.php?p=reprints. DOI: 10.1525/ncm.2016.39.3.290.

Journal

19th-Century MusicUniversity of California Press

Published: Mar 1, 2016

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