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Contributors

Contributors 19 TH CENTURY MUSIC Laurie McManus is assistant professor of music history and literature at Shenandoah Conservatory of Shenandoah University. She is currently at work on a book examining notions of purity and priestliness in Brahms reception. Her articles have appeared in Studi Musicali, Jazz Perspectives, and the American Brahms Society Newsletter. Christopher Moore is associate professor of musicology at the University of Ottawa. His research focuses primarily on French music of the twentieth century, which he examines in relationship to questions of criticism, style, gender, identity, and politics. His writings have been published in the Journal of Musicological Research, Music & Politics; Intersections: Canadian Journal of Music, and the Cahiers de la société québécoise de recherche en musique. In 2012 he was the recipient of the American Musicological Society's Philip Brett Award for an article on Francis Poulenc, which appeared in Musical Quarterly. He is currently working on a monograph that investigates the relationship of gender and sexuality to musical style and aesthetics in French music during the 1920s and 30s. Flora Willson is a junior research fellow at King's College, Cambridge. Her research focuses on nineteenth-century opera and urban culture, and she is currently writing a book about operatic exchanges between London and Paris during the 1890s. Her work has previously appeared in Cambridge Opera Journal and The Cambridge Verdi Encyclopedia (2013); she is also editor of the critical edition of Donizetti's Les Martyrs, to be published by Ricordi, and recorded by Opera Rara and the Orchestra of the Age of Enlightenment later this year. 19th-Century Music, vol. 37, no. 3, pp. 242­243. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2014 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.37.3.242. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 37 (3) – Apr 1, 2014

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Publisher
University of California Press
Copyright
© 2014 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2014.37.3.242
Publisher site
See Article on Publisher Site

Abstract

19 TH CENTURY MUSIC Laurie McManus is assistant professor of music history and literature at Shenandoah Conservatory of Shenandoah University. She is currently at work on a book examining notions of purity and priestliness in Brahms reception. Her articles have appeared in Studi Musicali, Jazz Perspectives, and the American Brahms Society Newsletter. Christopher Moore is associate professor of musicology at the University of Ottawa. His research focuses primarily on French music of the twentieth century, which he examines in relationship to questions of criticism, style, gender, identity, and politics. His writings have been published in the Journal of Musicological Research, Music & Politics; Intersections: Canadian Journal of Music, and the Cahiers de la société québécoise de recherche en musique. In 2012 he was the recipient of the American Musicological Society's Philip Brett Award for an article on Francis Poulenc, which appeared in Musical Quarterly. He is currently working on a monograph that investigates the relationship of gender and sexuality to musical style and aesthetics in French music during the 1920s and 30s. Flora Willson is a junior research fellow at King's College, Cambridge. Her research focuses on nineteenth-century opera and urban culture, and she is currently writing a book about operatic exchanges between London and Paris during the 1890s. Her work has previously appeared in Cambridge Opera Journal and The Cambridge Verdi Encyclopedia (2013); she is also editor of the critical edition of Donizetti's Les Martyrs, to be published by Ricordi, and recorded by Opera Rara and the Orchestra of the Age of Enlightenment later this year. 19th-Century Music, vol. 37, no. 3, pp. 242­243. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2014 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.37.3.242.

Journal

19th-Century MusicUniversity of California Press

Published: Apr 1, 2014

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