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Contributors

Contributors TH CENTURY MUSIC Sarah Hibberd is associate professor in music Other Worlds of Hector Berlioz (2015), and ar- at the University of Nottingham. Her research ticles for the Cambridge Opera Journal and focuses on opera and theatrical culture in Paris 19th-Century Music. and London, and her publications include French Grand Opera and the Historical Imagi- David Trippett is a principal research associate nation (Cambridge, 2009) and edited volumes at the University of Cambridge and principal on melodrama and on the relations between investigator for an ERC-funded project on opera, theater, and art in Paris. She is currently “Sound and Materialism” in the nineteenth examining the vogue for cataclysmic tableaux century. His first monograph, Wagner’s Melo- in French operas after the Revolution. dies (CUP 2013), examines the cultural and scientific history of melodic theory in relation Céline Frigau Manning is associate professor in to Wagner’s writings and music. Recent research Italian and Theatre Studies at Université Paris interests include nineteenth-century material- 8. A graduate of the École Normale Supérieure, ism and the cultural history of twenty-first- she was a researcher at the Bibliothèque-musée century sound technologies. His work has re- de l’Opéra and resident scholar at the Villa ceived the Alfred Einstein and Lewis Lockwood Medici. She has published on opera singers’ Awards from the AMS, and the Bruno Nettl acting practices, including the monograph Prize of the SEM. Chanteurs en scène. L’œil du spectateur au Théâtre-Italien, 1815–1848 (Paris: Champion, Simon Werrett is a senior lecturer in the De- 2014) and is currently conducting research on partment of Science and Technology Studies at the relationships between medicine and opera University College London. His research ex- in the nineteenth century. amines economies of practice and material cul- ture in early modern science. His first book, Inge van Rij is a senior lecturer in musicology Fireworks: Pyrotechnic Arts and Sciences in at Victoria University of Wellington, New European History, was published by the Uni- Zealand. Her research to date has centered on versity of Chicago Press in 2010. He is cur- Brahms and Berlioz, as represented by her two rently completing a monograph on the economy monographs with Cambridge University Press, of experiment in early modern Brahms’s Song Collections (2006) and The Europe. 184 19th-Century Music, vol. 39, no. 2, pp. 184–185. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2015 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/ journals.php?p=reprints. DOI: 10.1525/ncm.2015.39.2.184. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

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Publisher
University of California Press
Copyright
© 2015 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2015.39.2.184
Publisher site
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Abstract

TH CENTURY MUSIC Sarah Hibberd is associate professor in music Other Worlds of Hector Berlioz (2015), and ar- at the University of Nottingham. Her research ticles for the Cambridge Opera Journal and focuses on opera and theatrical culture in Paris 19th-Century Music. and London, and her publications include French Grand Opera and the Historical Imagi- David Trippett is a principal research associate nation (Cambridge, 2009) and edited volumes at the University of Cambridge and principal on melodrama and on the relations between investigator for an ERC-funded project on opera, theater, and art in Paris. She is currently “Sound and Materialism” in the nineteenth examining the vogue for cataclysmic tableaux century. His first monograph, Wagner’s Melo- in French operas after the Revolution. dies (CUP 2013), examines the cultural and scientific history of melodic theory in relation Céline Frigau Manning is associate professor in to Wagner’s writings and music. Recent research Italian and Theatre Studies at Université Paris interests include nineteenth-century material- 8. A graduate of the École Normale Supérieure, ism and the cultural history of twenty-first- she was a researcher at the Bibliothèque-musée century sound technologies. His work has re- de l’Opéra and resident scholar at the Villa ceived the Alfred Einstein and Lewis Lockwood Medici. She has published on opera singers’ Awards from the AMS, and the Bruno Nettl acting practices, including the monograph Prize of the SEM. Chanteurs en scène. L’œil du spectateur au Théâtre-Italien, 1815–1848 (Paris: Champion, Simon Werrett is a senior lecturer in the De- 2014) and is currently conducting research on partment of Science and Technology Studies at the relationships between medicine and opera University College London. His research ex- in the nineteenth century. amines economies of practice and material cul- ture in early modern science. His first book, Inge van Rij is a senior lecturer in musicology Fireworks: Pyrotechnic Arts and Sciences in at Victoria University of Wellington, New European History, was published by the Uni- Zealand. Her research to date has centered on versity of Chicago Press in 2010. He is cur- Brahms and Berlioz, as represented by her two rently completing a monograph on the economy monographs with Cambridge University Press, of experiment in early modern Brahms’s Song Collections (2006) and The Europe. 184 19th-Century Music, vol. 39, no. 2, pp. 184–185. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2015 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/ journals.php?p=reprints. DOI: 10.1525/ncm.2015.39.2.184.

Journal

19th-Century MusicUniversity of California Press

Published: Nov 1, 2015

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