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Contributors

Contributors INDEX Matthew Gelbart is assistant professor in the Department of Art History and Music at Fordham University. He is the author of The Invention of "Folk Music" and "Art Music": Emerging Categories from Ossian to Wagner (Cambridge University Press, 2007) and has also published articles in several journals, including JRMA, Ethnomusicology, Eighteenth-Century Music, and Music & Letters. His research interests include late-eighteenth- and nineteenthcentury music, musical labels, identities, and genres, Scottish music, and rock music. He is currently working on a new book project entitled Listening to Novelty: Musical Genre and Romantic Ideologies, for which he was a recent recipient of the American Philosophical Society Sabbatical Fellowship. Steven Huebner's forthcoming essays include studies of Ravel and politics, Gustave Charpentier's settings of Baudelaire, parlante texture in Verdi's operas, and Poulenc's Dialogues des Carmélites. He teaches at McGill University and is currently coeditor of Cambridge Opera Journal. Peter Mondelli is an assistant professor of music history at the University of North Texas. He holds a PhD from the University of Pennsylvania. His current research examines the transformation and commodification of opera through print culture in nineteenth-century Paris. Other areas of interest include philology and the politics of nineteenth-century musicology, and oral singing traditions in lateeighteenth-century Germany and France. 19th-Century Music, vol. 37, no. 1, pp. 89­90. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2013 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.37.1.89. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 37 (1) – Jul 1, 2013

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Publisher
University of California Press
Copyright
© 2013 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2013.37.1.89
Publisher site
See Article on Publisher Site

Abstract

INDEX Matthew Gelbart is assistant professor in the Department of Art History and Music at Fordham University. He is the author of The Invention of "Folk Music" and "Art Music": Emerging Categories from Ossian to Wagner (Cambridge University Press, 2007) and has also published articles in several journals, including JRMA, Ethnomusicology, Eighteenth-Century Music, and Music & Letters. His research interests include late-eighteenth- and nineteenthcentury music, musical labels, identities, and genres, Scottish music, and rock music. He is currently working on a new book project entitled Listening to Novelty: Musical Genre and Romantic Ideologies, for which he was a recent recipient of the American Philosophical Society Sabbatical Fellowship. Steven Huebner's forthcoming essays include studies of Ravel and politics, Gustave Charpentier's settings of Baudelaire, parlante texture in Verdi's operas, and Poulenc's Dialogues des Carmélites. He teaches at McGill University and is currently coeditor of Cambridge Opera Journal. Peter Mondelli is an assistant professor of music history at the University of North Texas. He holds a PhD from the University of Pennsylvania. His current research examines the transformation and commodification of opera through print culture in nineteenth-century Paris. Other areas of interest include philology and the politics of nineteenth-century musicology, and oral singing traditions in lateeighteenth-century Germany and France. 19th-Century Music, vol. 37, no. 1, pp. 89­90. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2013 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.37.1.89.

Journal

19th-Century MusicUniversity of California Press

Published: Jul 1, 2013

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