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Contributors

Contributors TH CENTURY MUSIC Erinn Kynt is assistant professor of music his- Amanda Lalonde is an assistant professor of tory at the University of Massachusetts, musicology (limited term) at the University of Amherst. She received her B.A. in Music (Mu- Saskatchewan and holds a Ph.D. from Cornell sic History and Piano Performance) with high- University. Her current projects focus on the est honors from the University of California, musical uncanny in early-nineteenth-century Davis in 2003, and her M.M. and Ph.D. in Mu- German culture and the performance and rheto- sic and Humanities from Stanford University. ric of musical Romantic prophecy. She also Knyt specializes in nineteenth- and twentieth- works on early New York hip-hop. century music, aesthetics, and performance studies and has written extensively about A doctoral candidate in musicology at Cornell Ferruccio Busoni. Her book (Indiana University University, J. Mackenzie Pierce is currently Press) explores Busoni’s relationship with early completing his dissertation, “Life and Death and mid-career composition mentees, includ- for Music: A Polish Generation’s Journey across ing Jean Sibelius, Edgard Varèse, Otto Luening, War and Reconstruction, 1926–53.” He has gi- Louis Gruenberg, and Philipp Jarnach; it was ven papers at two annual meetings of the Ameri- awarded an AMS 75 Pays Endowment Book can Musicological Society, and his research has Subvention Grant. been supported by the Kosciuszko Foundation, the Society for the Humanities at Cornell, and as a Beinecke Scholar. 180 19th-Century Music, vol. 41, no. 2, pp. 180–181. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2017 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/ journals.php?p=reprints. https://doi.org/10.1525/ncm.2017.41.2.180. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

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Publisher
University of California Press
Copyright
© 2017 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2017.41.2.180
Publisher site
See Article on Publisher Site

Abstract

TH CENTURY MUSIC Erinn Kynt is assistant professor of music his- Amanda Lalonde is an assistant professor of tory at the University of Massachusetts, musicology (limited term) at the University of Amherst. She received her B.A. in Music (Mu- Saskatchewan and holds a Ph.D. from Cornell sic History and Piano Performance) with high- University. Her current projects focus on the est honors from the University of California, musical uncanny in early-nineteenth-century Davis in 2003, and her M.M. and Ph.D. in Mu- German culture and the performance and rheto- sic and Humanities from Stanford University. ric of musical Romantic prophecy. She also Knyt specializes in nineteenth- and twentieth- works on early New York hip-hop. century music, aesthetics, and performance studies and has written extensively about A doctoral candidate in musicology at Cornell Ferruccio Busoni. Her book (Indiana University University, J. Mackenzie Pierce is currently Press) explores Busoni’s relationship with early completing his dissertation, “Life and Death and mid-career composition mentees, includ- for Music: A Polish Generation’s Journey across ing Jean Sibelius, Edgard Varèse, Otto Luening, War and Reconstruction, 1926–53.” He has gi- Louis Gruenberg, and Philipp Jarnach; it was ven papers at two annual meetings of the Ameri- awarded an AMS 75 Pays Endowment Book can Musicological Society, and his research has Subvention Grant. been supported by the Kosciuszko Foundation, the Society for the Humanities at Cornell, and as a Beinecke Scholar. 180 19th-Century Music, vol. 41, no. 2, pp. 180–181. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2017 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, http://www.ucpress.edu/ journals.php?p=reprints. https://doi.org/10.1525/ncm.2017.41.2.180.

Journal

19th-Century MusicUniversity of California Press

Published: Nov 1, 2017

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