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Contributors

Contributors Laurie McManus is associate professor and Graz. She is the author of the book Intimacy , area coordinator of music literature at Per formance, and the Lied in the Early Shenandoah Conservatory. She has published Nineteenth Century, as well as publications on articles in the Journal of Music History nineteenth-century Lieder that have appeared in Pedagogy, Jazz Perspectives, Studi Musicali, the Journal of the American Musicological and the American Brahms Society Newsletter. Society, 19th-Century Music, and the Journal of Her research has been supported by a fellow- Musicology. At the Vancouver International ship from the Berlin Program for Advanced Song Institute, as well as the Kunstuniversität, German and European Studies as well as the she has also worked with student singers and pia- Karl Geiringer Scholarship in Brahms Studies nists on the implications of her research for from the American Brahms Society. She is performance. finishing a book tentatively titled Brahms in  the Priesthood of Art: Gender and Art Kirill Zikanov recently received his PhD with Religion in the Nineteenth-Century German highest distinction from Yale University. His Musical Imagination. research focuses on nineteenth-century Russian orchestral music, particularly in the areas of Jennifer Ronyak is senior scientist at the Institut reception, aesthetics, and history of theory. für Musikästhetik of the Kunstuniversität IN OUR NEXT ISSUE (SUMMER 2019) ARTICLES Daniel R. Melamed: How Did “Aus Liebe” Get to Be So Slow? Robert Crowe: Falsetto in the Early Nineteenth Century Shaena Weitz: Propaganda and Reception in Nineteenth-Century Music Criticism 19th Century Music, vol. 42, no. 3, pp. 249–251. ISSN: 0148-2076, E-ISSN: 1533-8606 © 2019 by The Regents of the 249 249 University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/journals/ reprints-permissions. https://doi.org/10.1525/ncm.2019.42.3.249. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 42 (3): 1 – Apr 1, 2019

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Publisher
University of California Press
Copyright
© 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/journals/reprints-permissions.
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2019.42.3.249
Publisher site
See Article on Publisher Site

Abstract

Laurie McManus is associate professor and Graz. She is the author of the book Intimacy , area coordinator of music literature at Per formance, and the Lied in the Early Shenandoah Conservatory. She has published Nineteenth Century, as well as publications on articles in the Journal of Music History nineteenth-century Lieder that have appeared in Pedagogy, Jazz Perspectives, Studi Musicali, the Journal of the American Musicological and the American Brahms Society Newsletter. Society, 19th-Century Music, and the Journal of Her research has been supported by a fellow- Musicology. At the Vancouver International ship from the Berlin Program for Advanced Song Institute, as well as the Kunstuniversität, German and European Studies as well as the she has also worked with student singers and pia- Karl Geiringer Scholarship in Brahms Studies nists on the implications of her research for from the American Brahms Society. She is performance. finishing a book tentatively titled Brahms in  the Priesthood of Art: Gender and Art Kirill Zikanov recently received his PhD with Religion in the Nineteenth-Century German highest distinction from Yale University. His Musical Imagination. research focuses on nineteenth-century Russian orchestral music, particularly in the areas of Jennifer Ronyak is senior scientist at the Institut reception, aesthetics, and history of theory. für Musikästhetik of the Kunstuniversität IN OUR NEXT ISSUE (SUMMER 2019) ARTICLES Daniel R. Melamed: How Did “Aus Liebe” Get to Be So Slow? Robert Crowe: Falsetto in the Early Nineteenth Century Shaena Weitz: Propaganda and Reception in Nineteenth-Century Music Criticism 19th Century Music, vol. 42, no. 3, pp. 249–251. ISSN: 0148-2076, E-ISSN: 1533-8606 © 2019 by The Regents of the 249 249 University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Reprints and Permissions web page, https://www.ucpress.edu/journals/ reprints-permissions. https://doi.org/10.1525/ncm.2019.42.3.249.

Journal

19th-Century MusicUniversity of California Press

Published: Apr 1, 2019

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