Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Contributors

Contributors 19 TH CENTURY MUSIC Mark Evan Bonds is the Cary C. Boshamer Distinguished Professor of Music at the University of North Carolina at Chapel Hill, where he has taught since 1992. He is currently at work on a history of the idea of absolute music. Ryan R Kangas earned a PhD in musicology from the University of Texas at Austin in 2009. He has since held positions as lecturer at Rider University and visiting assistant professor at the University of Houston. He is currently working on a book examining representations of exile in Alexander Zemlinsky's symphonic music and its critical reception. David Hyun-su Kim is a doctoral candidate in piano performance at the New England Conservatory, where he is currently completing a dissertation that seeks to establish a phenomenology of skill acquisition as it relates to practicing on musical instruments. He specializes in performance on late-eighteenth- and nineteenth-century keyboard instruments. His other musical interests include improvisation, pedagogy, and the structures of musical institutions. Holly Watkins is associate professor of music at the Eastman School of Music and teaches courses on aesthetics and music from the nineteenth century to the present. In 2010­11 she held a Donald D. Harrington Faculty Fellowship at the University of Texas at Austin, where she completed her book Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold Schoenberg (Cambridge University Press series New Perspectives in Music History and Criticism). Her articles on Romanticism, modernist aesthetics, and ecocriticism have appeared in the Journal of the American Musicological Society, 19th-Century Music, and Current Musicology. 19th-Century Music, vol. 36, no. 1, p. 84. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2012 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2012.36.1.084. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 36 (1) – Jul 1, 2012

Loading next page...
 
/lp/university-of-california-press/contributors-CcsCO82iDz
Publisher
University of California Press
Copyright
© 2012 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2012.36.1.084
Publisher site
See Article on Publisher Site

Abstract

19 TH CENTURY MUSIC Mark Evan Bonds is the Cary C. Boshamer Distinguished Professor of Music at the University of North Carolina at Chapel Hill, where he has taught since 1992. He is currently at work on a history of the idea of absolute music. Ryan R Kangas earned a PhD in musicology from the University of Texas at Austin in 2009. He has since held positions as lecturer at Rider University and visiting assistant professor at the University of Houston. He is currently working on a book examining representations of exile in Alexander Zemlinsky's symphonic music and its critical reception. David Hyun-su Kim is a doctoral candidate in piano performance at the New England Conservatory, where he is currently completing a dissertation that seeks to establish a phenomenology of skill acquisition as it relates to practicing on musical instruments. He specializes in performance on late-eighteenth- and nineteenth-century keyboard instruments. His other musical interests include improvisation, pedagogy, and the structures of musical institutions. Holly Watkins is associate professor of music at the Eastman School of Music and teaches courses on aesthetics and music from the nineteenth century to the present. In 2010­11 she held a Donald D. Harrington Faculty Fellowship at the University of Texas at Austin, where she completed her book Metaphors of Depth in German Musical Thought: From E. T. A. Hoffmann to Arnold Schoenberg (Cambridge University Press series New Perspectives in Music History and Criticism). Her articles on Romanticism, modernist aesthetics, and ecocriticism have appeared in the Journal of the American Musicological Society, 19th-Century Music, and Current Musicology. 19th-Century Music, vol. 36, no. 1, p. 84. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2012 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2012.36.1.084.

Journal

19th-Century MusicUniversity of California Press

Published: Jul 1, 2012

There are no references for this article.