Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
19 TH CENTURY MUSIC Contributors Contributors to this issue: Matt BaileyShea is currently an assistant professor of music theory in the College Music Department at the University of Rochester and the Eastman School of Music. His published work focuses on chromaticism, form, pedagogy, and the music of Wagner and Wolf. Michael Klein is associate professor and Chair of the Department of Music Studies at Temple University. He is the author of Intertextuality in Western Art Music (Indiana University Press). In 2005 his article âChopinâs Fourth Ballade as Musical Narrative,â Music Theory Spectrum 26/1 (2004) won the publication of the year award from the Society for Music Theory. Seth Monahan is a graduate student in music theory at Yale University. He is currently completing a dissertation that explores issues of musical meaning in Gustav Mahlerâs sonataform movements using an Adornian interpretive framework. This gives him less than ample time to explore his other research interests, which include ï¬n-de-siècle aesthetics, uses of narrative and anthropomorphic tropes in music-theoretic discourse, and the development of a renewed kinetic theory of Wagnerâs late style. l DIRECTIONS TO CONTRIBUTORS 19th-Century Music welcomes submissions on all aspects of music spanning the âlongâ century between ca. 1780 and 1920. Our interests are as diverse as the long century itself. They cover music of any type or origin and include, but are not limited to, topics in composition, performance, social and cultural context, analysis, music theory, critical theory, hermeneutics, aesthetics, documentary, archival, and editorial study, gender and sexuality, history, and historiography. We also publish book reviews and welcome suggestions and proposals. Typescripts should be double spaced on 81â 2 X 11-inch bond paper, with ample margins; three copies should be submitted. Endnotes, tables, captions, music examples, and texts for music examples should be written on separate sheets. All endnotes and extracts (citations) must be double-spaced. Typescripts should be sent to the Editorial Ofï¬ce, 19th-Century Music; Music Department, University of California, Davis; Davis, California 95616. Materials for review may be sent to the same address. Please do not submit articles by e-mail. Once an article is accepted and the text has been revised and agreed on in consultation with an editor, an attachment ï¬le will be requested by the editorial ofï¬ce. The Word ï¬le(s) should include all text (tables, captions, etc.) plus a one-page abstract, with ï¬ve key words selected at its end. Music examples may be submitted as either hard copies (xeroxes acceptable) or .pdfs; camera-ready art may be sent as black and white glossies, or in electronic ï¬lesâ.tiff, .pdf., or .jpeg. For quotations transcribed from foreign sources, authors are urged to specify in the typescript occurrences of the following characters: Ã, Ã, Ã, Å, and Å. Prospective contributors should consult recent issues of 19th-Century Music or Writing About Music, by D. Kern Holoman (Berkeley and Los Angeles, 1988), for matters of style. In most cases, we follow the practices of The Chicago Manual of Style, 15th edn. (Chicago: University of Chicago Press, 2003). 19th-Century Music, vol. 31, no. 1, p. 98. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2007 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Pressâs Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2007.31.1.098.
19th-Century Music – University of California Press
Published: Jul 1, 2007
You can share this free article with as many people as you like with the url below! We hope you enjoy this feature!
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.