Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Contributors

Contributors INDEX Stefan Knapik completed his doctorate ("Early Twentieth-Century Discourses of Violin Playing") at Magdalen College, Oxford in 2012 and is currently associate lecturer and tutor at Cardiff University in Wales. Having studied cello at the Royal Academy of Music, he pursues a performing career alongside academia. He has toured internationally with contemporary dancers and world musicians and has more recently worked in fringe and mainstream musical theater. Robert D. Pearson is currently a lecturer in music history at the University of North Texas, where he has taught since 2012. He received his PhD in musicology from Brandeis University in 2011, and his dissertation on Donald Francis Tovey's writings on Beethoven was supported by a fellowship from the Mellon Foundation. Pearson has also taught at Brandeis University and the New England Conservatory of Music. His research interests include the reception and analysis of Beethoven, music and narrative, and performance practice. Carmel Raz is completing a dissertation (Yale University) on physiology, perception, and early Romantic auditory cultures. She holds degrees in violin and in composition from the Hochschule für Musik in Berlin and the University of Chicago, respectively. The recipient of a Whiting prize dissertation fellowship at Yale, she was also awarded a fellowship by the Baden Württemberg Stiftung and a Mellon Graduate Achievement Award. Her work has previously appeared in the Zeitschrift der Gesellschaft für Musiktheorie and the Journal of Neo-Victorian Studies. 19th-Century Music, vol. 38, no. 2, pp. 191­192. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2014 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.38.2.191. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Contributors

19th-Century Music , Volume 38 (2) – Oct 1, 2014

Loading next page...
 
/lp/university-of-california-press/contributors-3CWg4XWCOI
Publisher
University of California Press
Copyright
© 2014 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2014.38.2.191
Publisher site
See Article on Publisher Site

Abstract

INDEX Stefan Knapik completed his doctorate ("Early Twentieth-Century Discourses of Violin Playing") at Magdalen College, Oxford in 2012 and is currently associate lecturer and tutor at Cardiff University in Wales. Having studied cello at the Royal Academy of Music, he pursues a performing career alongside academia. He has toured internationally with contemporary dancers and world musicians and has more recently worked in fringe and mainstream musical theater. Robert D. Pearson is currently a lecturer in music history at the University of North Texas, where he has taught since 2012. He received his PhD in musicology from Brandeis University in 2011, and his dissertation on Donald Francis Tovey's writings on Beethoven was supported by a fellowship from the Mellon Foundation. Pearson has also taught at Brandeis University and the New England Conservatory of Music. His research interests include the reception and analysis of Beethoven, music and narrative, and performance practice. Carmel Raz is completing a dissertation (Yale University) on physiology, perception, and early Romantic auditory cultures. She holds degrees in violin and in composition from the Hochschule für Musik in Berlin and the University of Chicago, respectively. The recipient of a Whiting prize dissertation fellowship at Yale, she was also awarded a fellowship by the Baden Württemberg Stiftung and a Mellon Graduate Achievement Award. Her work has previously appeared in the Zeitschrift der Gesellschaft für Musiktheorie and the Journal of Neo-Victorian Studies. 19th-Century Music, vol. 38, no. 2, pp. 191­192. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2014 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions Web site, at http://www.ucpressjournals.com/ reprintInfo.asp. DOI: 10.1525/ncm.2013.38.2.191.

Journal

19th-Century MusicUniversity of California Press

Published: Oct 1, 2014

There are no references for this article.