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Comment and Chronicle

Comment and Chronicle 19 TH CENTURY MUSIC Comment & Chronicle Mozart 2006. Among numerous new editions for the Mozart-jubilee 2006, Breitkopf and Härtel presents new transcriptions for organists, the Flute Concerto, K. 313, the Andante in C, K. 315, and the Clarinet Quintet in A, K. 581 (www.breitkopf.com). The publisher of the New Mozart Edition, Bärenreiter, offers 250th anniversary celebrations with its semiannual catalog focused on Mozart, which will include a 2006 Mozart calendar, the seven great operas in study scores, the short church works in a Chor und Orgel series, the complete correspondence in paperback, eight volumes of the letters and writings of Mozart, and new items for performers (www.baerenreiter.com). Contributors to this issue: associate professor of music Sylvia Kahan serves on the piano and musicology faculties of the Graduate Center, City University of New York, and the Department of Performing and Creative Arts at the College of Staten Island, CUNY, where she is chair. She is the author of Music’s Modern Muse: A Life of Winnaretta Singer, Princesse de Polignac (University of Rochester Press, 2003); her second book, Edmond de Polignac and the Discovery of Octatonicism is forthcoming (University of Rochester Press). William Kinderman’s recent publications include A Companion to Wagner’s “Parsifal” (Camden House), edited with Katherine Syer, and The String Quartets of Beethoven (University of Illinois Press); an article on Mahler is forthcoming in Musical Quarterly, and his book Mozart’s Piano Music will appear with Oxford University Press in 2006. He is professor of music at the University of Illinois, UrbanaChampaign. Raymond Knapp is professor of musicology at the University of California, Los Angeles, and has published extensively on the nineteenthcentury symphony and American musical theater. His books include Brahms and the Challenge of the Symphony, Symphonic Metamorphoses: Subjectivity and Alienation in Mahler’s Re-Cycled Songs, and The American Musical and the Formation of National Identity (Princeton Univerity Press, 2006). The latter won the George Jean Nathan Award for Dramatic Criticism. Lee A. Rothfarb, originator of the Society of Music Theory’s networking and its electronic journal, Music Theory Online, is associate professor of music and currently department chair at the University of California, Santa Barbara. He has published on the music-theoretical writings of Ernst Kurth and August Halm. His article on “Energetics” appears in The Cambridge History of Western Music Theory. Richard Taruskin is Class of 1955 Professor of Music at the University of California at Berkeley. l 19th-Century Music, XXIX/2, p. 208. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2005 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Rights and Permissions website, at http://www.ucpress.edu/journals/rights.htm. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Comment and Chronicle

19th-Century Music , Volume 29 (2) – Oct 1, 2005

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Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2005.29.2.208
Publisher site
See Article on Publisher Site

Abstract

19 TH CENTURY MUSIC Comment & Chronicle Mozart 2006. Among numerous new editions for the Mozart-jubilee 2006, Breitkopf and Härtel presents new transcriptions for organists, the Flute Concerto, K. 313, the Andante in C, K. 315, and the Clarinet Quintet in A, K. 581 (www.breitkopf.com). The publisher of the New Mozart Edition, Bärenreiter, offers 250th anniversary celebrations with its semiannual catalog focused on Mozart, which will include a 2006 Mozart calendar, the seven great operas in study scores, the short church works in a Chor und Orgel series, the complete correspondence in paperback, eight volumes of the letters and writings of Mozart, and new items for performers (www.baerenreiter.com). Contributors to this issue: associate professor of music Sylvia Kahan serves on the piano and musicology faculties of the Graduate Center, City University of New York, and the Department of Performing and Creative Arts at the College of Staten Island, CUNY, where she is chair. She is the author of Music’s Modern Muse: A Life of Winnaretta Singer, Princesse de Polignac (University of Rochester Press, 2003); her second book, Edmond de Polignac and the Discovery of Octatonicism is forthcoming (University of Rochester Press). William Kinderman’s recent publications include A Companion to Wagner’s “Parsifal” (Camden House), edited with Katherine Syer, and The String Quartets of Beethoven (University of Illinois Press); an article on Mahler is forthcoming in Musical Quarterly, and his book Mozart’s Piano Music will appear with Oxford University Press in 2006. He is professor of music at the University of Illinois, UrbanaChampaign. Raymond Knapp is professor of musicology at the University of California, Los Angeles, and has published extensively on the nineteenthcentury symphony and American musical theater. His books include Brahms and the Challenge of the Symphony, Symphonic Metamorphoses: Subjectivity and Alienation in Mahler’s Re-Cycled Songs, and The American Musical and the Formation of National Identity (Princeton Univerity Press, 2006). The latter won the George Jean Nathan Award for Dramatic Criticism. Lee A. Rothfarb, originator of the Society of Music Theory’s networking and its electronic journal, Music Theory Online, is associate professor of music and currently department chair at the University of California, Santa Barbara. He has published on the music-theoretical writings of Ernst Kurth and August Halm. His article on “Energetics” appears in The Cambridge History of Western Music Theory. Richard Taruskin is Class of 1955 Professor of Music at the University of California at Berkeley. l 19th-Century Music, XXIX/2, p. 208. ISSN: 0148-2076, electronic ISSN 1533-8606. © 2005 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’s Rights and Permissions website, at http://www.ucpress.edu/journals/rights.htm.

Journal

19th-Century MusicUniversity of California Press

Published: Oct 1, 2005

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