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Comment and Chronicle

Comment and Chronicle 19 TH CENTURY MUSIC Comment & Chronicle New musicological releases. G. Henle Verlag and the Staatsbibliothek zu Berlin announce Felix Mendelssohn Bartholdy: Autographs and Copies, edited by Hans-Günther Klein (207pp. ISBN: 3-87328-111-2). From Bärenreiter a new vocal score of Beethoven’s Fidelio, based on the scholarly critical edition of the full score prepared by Helga Lühning and Robert Didion, is an advance publication from the Beethoven Gesamtausgabe and the first to make use of all the major sources. Contributors to this issue: John Michael Cooper is associate professor of music history at the University of North Texas. He is the author of Felix Mendelssohn Bartholdy: A Guide to Research (Routledge) and Mendelssohn’s “Italian” Symphony (Oxford), and coeditor, with Julie D. Prandi, of The Mendelssohns: Their Music in History (Oxford). Simon Morrison is an assistant professor of music history at Princeton University. He is the author of Russian Opera and the Symbolist Movement (2002) and is currently working on Prokofiev: The Soviet Years for Oxford University Press. Simon Perry is a lecturer in the School of Music, at the University of Queensland, Australia. In addition to Russian music, his research interests lie in the general area of music theory and http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Comment and Chronicle

19th-Century Music , Volume 28 (1) – Jul 1, 2004

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Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2004.28.1.86
Publisher site
See Article on Publisher Site

Abstract

19 TH CENTURY MUSIC Comment & Chronicle New musicological releases. G. Henle Verlag and the Staatsbibliothek zu Berlin announce Felix Mendelssohn Bartholdy: Autographs and Copies, edited by Hans-Günther Klein (207pp. ISBN: 3-87328-111-2). From Bärenreiter a new vocal score of Beethoven’s Fidelio, based on the scholarly critical edition of the full score prepared by Helga Lühning and Robert Didion, is an advance publication from the Beethoven Gesamtausgabe and the first to make use of all the major sources. Contributors to this issue: John Michael Cooper is associate professor of music history at the University of North Texas. He is the author of Felix Mendelssohn Bartholdy: A Guide to Research (Routledge) and Mendelssohn’s “Italian” Symphony (Oxford), and coeditor, with Julie D. Prandi, of The Mendelssohns: Their Music in History (Oxford). Simon Morrison is an assistant professor of music history at Princeton University. He is the author of Russian Opera and the Symbolist Movement (2002) and is currently working on Prokofiev: The Soviet Years for Oxford University Press. Simon Perry is a lecturer in the School of Music, at the University of Queensland, Australia. In addition to Russian music, his research interests lie in the general area of music theory and

Journal

19th-Century MusicUniversity of California Press

Published: Jul 1, 2004

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