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“Brain art: Brain-computer interfaces for artistic expression”

“Brain art: Brain-computer interfaces for artistic expression” BRAIN-COMPUTER INTERFACES 2020, VOL. 7, NOS. 1–2, 36–37 https://doi.org/10.1080/2326263X.2020.1756573 ARTICLE Doron Friedman Interdisciplinary Center, Herzliya, Israel Anton Nijholt’s edited book Brain Art: Brain-Computer practiced on stationary subjects. Of course, this is Interfaces for Artistic Expression is a unique contribu- a result of the technical constraints and the sensitivity tion, being the first and only fully comprehensive cover of neuroimaging methods to motion artifacts. of art and brain computer interface (BCI) projects. For Nevertheless, it is not surprising that science–art pro- the first time, readers can learn about the enormous jects are among those leading the way toward tackling scope of BCI experimentation in art and art-related this challenge; see Chapters 9 and 10 for mobile brain projects, dating back many decades, all in one volume. imaging (MOBI) paradigms. Importantly, this book is not only for people with an BCI (or brain machine interface, BMI) is arguably one interest in the arts, but is also of high importance to the of those technologies that have the potential to transform wider BCI scientific and engineering community. humanity, if and when it becomes mature and pervasive. BCI is mostly an engineering discipline, and the majority Such widespread adoption of BCI seems to http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Brain-Computer Interfaces Taylor & Francis

“Brain art: Brain-computer interfaces for artistic expression”

Brain-Computer Interfaces , Volume 7 (1-2): 2 – Apr 2, 2020

“Brain art: Brain-computer interfaces for artistic expression”

Abstract

BRAIN-COMPUTER INTERFACES 2020, VOL. 7, NOS. 1–2, 36–37 https://doi.org/10.1080/2326263X.2020.1756573 ARTICLE Doron Friedman Interdisciplinary Center, Herzliya, Israel Anton Nijholt’s edited book Brain Art: Brain-Computer practiced on stationary subjects. Of course, this is Interfaces for Artistic Expression is a unique contribu- a result of the technical constraints and the sensitivity tion, being the first and only fully comprehensive cover of neuroimaging methods to...
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Publisher
Taylor & Francis
Copyright
© 2020 Doron Friedman
ISSN
2326-2621
eISSN
2326-263x
DOI
10.1080/2326263X.2020.1756573
Publisher site
See Article on Publisher Site

Abstract

BRAIN-COMPUTER INTERFACES 2020, VOL. 7, NOS. 1–2, 36–37 https://doi.org/10.1080/2326263X.2020.1756573 ARTICLE Doron Friedman Interdisciplinary Center, Herzliya, Israel Anton Nijholt’s edited book Brain Art: Brain-Computer practiced on stationary subjects. Of course, this is Interfaces for Artistic Expression is a unique contribu- a result of the technical constraints and the sensitivity tion, being the first and only fully comprehensive cover of neuroimaging methods to motion artifacts. of art and brain computer interface (BCI) projects. For Nevertheless, it is not surprising that science–art pro- the first time, readers can learn about the enormous jects are among those leading the way toward tackling scope of BCI experimentation in art and art-related this challenge; see Chapters 9 and 10 for mobile brain projects, dating back many decades, all in one volume. imaging (MOBI) paradigms. Importantly, this book is not only for people with an BCI (or brain machine interface, BMI) is arguably one interest in the arts, but is also of high importance to the of those technologies that have the potential to transform wider BCI scientific and engineering community. humanity, if and when it becomes mature and pervasive. BCI is mostly an engineering discipline, and the majority Such widespread adoption of BCI seems to

Journal

Brain-Computer InterfacesTaylor & Francis

Published: Apr 2, 2020

References