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The American Journal of Psychoanalysis, 2017, 77, (91–96) 2017 Association for the Advancement of Psychoanalysis 0002-9548/17 www.palgrave.com/journals Book Reviews The Cut and the Building of Psychoanalysis, Volume 1: Sigmund Freud and Emma Eckstein, by Carlo Bonomi, Routledge, Sussex & New York, 2015, 288pp. Twelve black and white reproductions may be found in Carlo Bonomi’s The Cut and the Building of Psychoanalysis, Volume 1: Sigmund Freud and Emma Eckstein. One of these, The Legend of the Bishop and the Devil, is a painting dated 1854 by Moritz von Schwind that depicts a devil carrying stones to build a chapel while a bishop prays at the chapel’s edifice. Bonomi reminds us that at a meeting of the Vienna Psychoanalytic Association Freud spoke of identifying with the devil’s heavy lifting and rough work of laying stones for the psychoanalytic foundation, and that others, like the bishop had benefited. Heavy lifting may be motivated by trauma (cf., Ferenczi, 1933a), and may subsequently leave traumatic traces (cf., Bion, 2015). This book works to further illuminate and contextualize traumatic marks that were previously dissociated. Bonomi’s portrait of Freud is one of a traumatized actor that feels similar to Bion in action during World War I.
The American Journal of Psychoanalysis – Springer Journals
Published: Mar 27, 2017
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