Access the full text.
Sign up today, get DeepDyve free for 14 days.
E. Pouyet, S. Devine, T. Grafakos, R. Kieckhefer, J. Salvant, L. Smieska, A. Woll, A. Katsaggelos, O. Cossairt, M. Walton (2017)
Revealing the biography of a hidden medieval manuscript using synchrotron and conventional imaging techniques.Analytica chimica acta, 982
Z. Murat (2021)
Wall paintings through the ages: the medieval period (Italy, twelfth to fifteenth century)Archaeological and Anthropological Sciences, 13
C. Miliani, F. Rosi, A. Daveri, B. Brunetti (2012)
Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigmentsApplied Physics A, 106
(2020)
2017b) A prayer book fit for a king
K. Dooley, S. Lomax, J. Zeibel, C. Miliani, P. Ricciardi, Ann Hoenigswald, M. Loew, J. Delaney (2013)
Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy.The Analyst, 138 17
L. Burgio, R. Clark, R. Hark (2010)
Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttingsProceedings of the National Academy of Sciences, 107
M. Aceto, A. Agostino, G. Fenoglio, M. Gulmini, Valentina Bianco, E. Pellizzi (2012)
Non invasive analysis of miniature paintings: proposal for an analytical protocol.Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 91
J. Romero-Pastor, N. Navas, Š. Kučková, A. Rodríguez-Navarro, C. Cardell (2012)
Collagen-based proteinaceous binder-pigment interaction study under UV ageing conditions by MALDI-TOF-MS and principal component analysis.Journal of mass spectrometry : JMS, 47 3
(1997)
A Handbook of their History and Characteristics. National Gallery of Art
L. Burgio, R. Clark, R. Hark (2009)
Spectroscopic investigation of modern pigments on purportedly medieval miniatures by the ‘Spanish Forger’Journal of Raman Spectroscopy, 40
Rjh Clark (2005)
Raman Microscopy in the Identification of Pigments on Manuscripts and Other Artwork
P. Vitti (2021)
Mortars and masonry—structural lime and gypsum mortars in Antiquity and Middle AgesArchaeological and Anthropological Sciences, 13
M. Aceto (2021)
Pigments—the palette of organic colourants in wall paintingsArchaeological and Anthropological Sciences, 13
Bruce Ford (2018)
A microfading survey of the lightfastness of blue, black and red ballpoint pen inks in ambient and modified environmentsAICCM Bulletin, 39
Analytical No (2019)
Laser-induced breakdown spectroscopy (LIBS) in cultural heritage.Analytical methods : advancing methods and applications, 11 45
M. Budnar, M. Uršič, J. Simčič, P. Pelicon, J. Kolar, V. Šelih, M. Strlič (2006)
Analysis of iron gall inks by PIXENuclear Instruments & Methods in Physics Research Section B-beam Interactions With Materials and Atoms, 243
B. Doherty, B. Brunetti, A. Sgamellotti, C. Miliani (2011)
A detachable SERS active cellulose film: a minimally invasive approach to the study of painting lakesJournal of Raman Spectroscopy, 42
Analytical No (2021)
Analysis of historical dyes in heritage objects.Analytical methods : advancing methods and applications
A. Durán, J. Pérez-Rodríguez, T. Espejo, M. Franquelo, J. Castaing, P. Walter (2009)
Characterization of illuminated manuscripts by laboratory-made portable XRD and micro-XRD systemsAnalytical and Bioanalytical Chemistry, 395
M. Aceto, A. Agostino, G. Fenoglio, A. Idone, M. Gulmini, M. Picollo, P. Ricciardi, J. Delaney (2014)
Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometryAnalytical Methods, 6
D. Stromer, V. Christlein, C. Martindale, Patrick Zippert, Eric Haltenberger, T. Hausotte, A. Maier (2018)
Browsing through sealed historical manuscripts by using 3-D computed tomography with low-brilliance X-ray sourcesScientific Reports, 8
R. Mcneil (1984)
Scanning Auger microscopy for dating of manuscript inksAdvances in chemistry series, 205
M. Melo, Paula Nabais, Rita Araújo, T. Vitorino (2019)
The conservation of medieval manuscript illuminations: A chemical perspectivePhysical Sciences Reviews, 4
C. Cucci, J. Delaney, M. Picollo (2016)
Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts.Accounts of chemical research, 49 10
B. Cornils (2020)
Prussian blueCatalysis from A to Z
R. Siddall (2018)
Mineral Pigments in Archaeology: Their Analysis and the Range of Available MaterialsMinerals, 8
Analytical No (2016)
UV-visible-NIR reflectance spectrophotometry in cultural heritage: Background paper.Analytical methods : advancing methods and applications, 8 30
Alyson Whitney, R. Duyne, F. Casadio (2006)
An innovative surface-enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffsJournal of Raman Spectroscopy, 37
E. Calà, A. Agostino, G. Fenoglio, V. Capra, F. Porticelli, F. Manzari, Sarah Fiddyment, M. Aceto (2019)
The Messale Rosselli: Scientific investigation on an outstanding 14th century illuminated manuscript from AvignonJournal of Archaeological Science: Reports
S. Pessanha, M. Manso, M. Carvalho (2012)
Application of spectroscopic techniques to the study of illuminated manuscripts: A surveySpectrochimica Acta Part B: Atomic Spectroscopy, 71
R. Castro, F. Pozzi, M. Leona, M. Melo (2014)
Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminationsJournal of Raman Spectroscopy, 45
A. Arizzi, G. Cultrone (2021)
Mortars and plasters—how to characterise hydraulic mortarsArchaeological and Anthropological Sciences, 13
B. Doherty, F. Presciutti, A. Sgamellotti, B. Brunetti, C. Miliani (2014)
Monitoring of optimized SERS active gel substrates for painting and paper substrates by unilateral NMR profilometryJournal of Raman Spectroscopy, 45
L. Burgio, R. Clark, R. Hark, M. Rumsey, C. Zannini (2009)
Spectroscopic Investigations of Bourdichon Miniatures: Masterpieces of Light and ColorApplied Spectroscopy, 63
M. Salvadori, Clelia Sbrolli (2021)
Wall paintings through the ages: the roman period—Republic and early EmpireArchaeological and Anthropological Sciences, 13
(1997)
In: West FitzHugh E (ed) Artists' Pigments. A Handbook of their History and Characteristics volume 3. National Gallery of Art, Washington. ISBN 0894682563
James Leman's glorious palette -part 3
(1986)
Lead Antimonate yellow
Amctb No (2015)
Raman spectroscopy in cultural heritage: Background paper.Analytical methods : advancing methods and applications, 7 12
L. Burgio (2012)
Study of Manuscripts by Vibrational Spectroscopy
A. Cesaratto, S. Centeno, J. Lombardi, Nobuko Shibayama, M. Leona (2017)
A complete Raman study of common acid red dyes: application to the identification of artistic materials in polychrome printsJournal of Raman Spectroscopy, 48
J. Pérez-Arantegui (2021)
Not only wall paintings—pigments for cosmeticsArchaeological and Anthropological Sciences, 13
V. Corregidor, R. Viegas, L. Ferreira, L. Alves (2019)
Study of Iron Gall Inks, Ingredients and Paper Composition Using Non-Destructive TechniquesHeritage
C. Knapp, G. Christidis, D. Venieri, I. Gounaki, J. Gibney-Vamvakari, M. Stillings, E. Photos-Jones (2021)
The ecology and bioactivity of some Greco-Roman medicinal minerals: the case of Melos earth pigmentsArchaeological and Anthropological Sciences, 13
M. Leona, John Winter (2001)
Fiber optics reflectance spectroscopy: a unique tool for the investigation of Japanese paintingsStudies in Conservation, 46
E. Gliozzo, C. Ionescu (2021)
Pigments—Lead-based whites, reds, yellows and oranges and their alteration phasesArchaeological and Anthropological Sciences, 14
B. Doherty, A. Daveri, C. Clementi, Aldo Romani, Susan Bioletti, B. Brunetti, A. Sgamellotti, C. Miliani (2013)
The Book of Kells: a non-invasive MOLAB investigation by complementary spectroscopic techniques.Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 115
A. Tonazzini, E. Salerno, Z. Abdel-Salam, M. Harith, L. Marras, Asia Botto, B. Campanella, S. Legnaioli, Stefano Pagnotta, F. Poggialini, V. Palleschi (2019)
Analytical and mathematical methods for revealing hidden details in ancient manuscripts and paintings: A reviewJournal of Advanced Research, 17
J. Delaney, P. Ricciardi, L. Glinsman, Michelle Facini, M. Thoury, Michael Palmer, E. Rie (2014)
Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscriptsStudies in Conservation, 59
G. Senesi, R. Harmon, R. Hark (2021)
Field-portable and handheld laser-induced breakdown spectroscopy: Historical review, current status and future prospectsSpectrochimica Acta Part B: Atomic Spectroscopy, 175
(2021)
Glass-based pigments in painting
(2008)
Pigments through the Ages. Institute for Dynamic Educational Development (IDEA)
A. Tournie, K. Fleischer, I. Bukreeva, F. Palermo, M. Perino, A. Cedola, C. Andraud, G. Ranocchia (2019)
Ancient Greek text concealed on the back of unrolled papyrus revealed through shortwave-infrared hyperspectral imagingScience Advances, 5
Paula Nabais, M. Melo, J. Lopes, T. Vitorino, Artur Neves, R. Castro (2018)
Microspectrofluorimetry and chemometrics for the identification of medieval lake pigmentsHeritage Science, 6
S. Mosca, R. Alberti, T. Frizzi, Austin Nevin, G. Valentini, D. Comelli (2016)
A whole spectroscopic mapping approach for studying the spatial distribution of pigments in paintingsApplied Physics A, 122
Rafael Hidalgo, Ricardo Córdoba, Paula Nabais, Valéria Silva, M. Melo, F. Pina, Natércia Teixeira, V. Freitas (2018)
New insights into iron-gall inks through the use of historically accurate reconstructionsHeritage Science, 6
C. Grazia, D. Buti, L. Cartechini, F. Rosi, F. Gabrieli, Virginia Lladó-Buisán, D. Domenici, A. Sgamellotti, A. Romani, C. Miliani (2018)
Exploring the Materiality of Mesoamerican Manuscripts by Non-invasive Spectroscopic Methods: Codex Laud, Bodley, Selden, Mendoza and Selden Roll at the Bodleian LibraryMesoamerican Manuscripts
P Ropret, C Miliani, SA Centeno, Č Tavzes, F Rosi (2010)
Advances in Raman mapping of works of artJ Raman Spectrosc, 41
M. Cañamares, D. Reagan, J. Lombardi, M. Leona (2014)
TLC-SERS of mauve, the first synthetic dye†Journal of Raman Spectroscopy, 45
K. Trentelman, Nancy Turner (2009)
Investigation of the painting materials and techniques of the late‐15th century manuscript illuminator Jean BourdichonJournal of Raman Spectroscopy, 40
L. Stefano, R. Fuchs (2011)
Characterisation of the pigments in a Ptolemaic Egyptian Book of the Dead papyrusArchaeological and Anthropological Sciences, 3
G. Smith, Robert Klinshaw (2009)
The presence of trapped carbon dioxide in lapis lazuli and its potential use in geo-sourcing natural ultramarine pigmentJournal of Cultural Heritage, 10
(2011)
Spectroscopic Analysis of Pigments on Portrait Miniatures by William Wood (1769-1810). Undergraduate dissertation
M. Melo (2009)
History of Natural Dyes in the Ancient Mediterranean World
T. Delbey, J. Holck, Bjarke Jørgensen, Alexandra Alvis, Vanessa Smith, Gwénaëlle Kavich, Kimberly Harmon, B. Dorch, K. Rasmussen (2019)
Poisonous books: analyses of four sixteenth and seventeenth century book bindings covered with arsenic rich green paintHeritage Science, 7
L. Burgio, R. Clark (2001)
Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation.Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 57 7
D. Scott (2016)
A review of ancient Egyptian pigments and cosmeticsStudies in Conservation, 61
L. Burgio, R. Clark (2000)
Comparative pigment analysis of six modern Egyptian papyri and an authentic one of the 13th century BC by Raman microscopy and other techniquesJournal of Raman Spectroscopy, 31
Publisher's note Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations
T. Chaplin, R. Clark, D. Jacobs, K. Jensen, G. Smith (2005)
The Gutenberg Bibles: analysis of the illuminations and inks using Raman spectroscopy.Analytical chemistry, 77 11
C. Coupry, G. Sagon, Pascale Gorguet-Ballesteros (1997)
Raman Spectroscopic Investigation of Blue Contemporary TextilesJournal of Raman Spectroscopy, 28
N. Wade, T. Pradeep, Jianwei Shen, R. Cooks
SPECTROSCOPIC INVESTIGATION.Science, 47 1217
2020) Secrets of a Silent Miniaturist: Findings from a Technical Study of Miniatures Attributed to Isaac Oliver. British Art Studies, 
M. Cotte, A. Genty-Vincent, K. Janssens, J. Susini (2018)
Applications of synchrotron X-ray nano-probes in the field of cultural heritageComptes Rendus Physique
C Cucci, JK Delaney, M Picollo (2016)
Reflectance hyperspectral imaging for investigation of works of art: old master paintings and illuminated manuscriptsAcc Chem Res, 49
(2020)
2017a) James Leman’s glorious palette – part 3, https:// www. vam. ac. uk/ blog/ caring- for- our- colle ctions/ james- lemansglori ous- palet te- part-3
D. Ergenç, R. Fort, Maria Varas−Muriel, M. Buergo (2021)
Mortars and plasters—How to characterize aerial mortars and plastersArchaeological and Anthropological Sciences, 13
Paul Rosin, Yu-Kun Lai, Chang Liu, G. Davis, D. Mills, Gary Tuson, Yuki Russell (2018)
Virtual Recovery of Content from X-Ray Micro-Tomography Scans of Damaged Historic ScrollsScientific Reports, 8
M. Vermeulen, L. Burgio, Nathalie Vandeperre, Elyse Driscoll, M. Viljoen, Janie Woo, M. Leona (2020)
Beyond the connoisseurship approach: creating a chronology in Hokusai prints using non-invasive techniques and multivariate data analysisHeritage Science, 8
C. Miliani, F. Rosi, B. Brunetti, A. Sgamellotti (2010)
In situ noninvasive study of artworks: the MOLAB multitechnique approach.Accounts of chemical research, 43 6
G. Mastrotheodoros, K. Beltsios (2022)
Pigments—Iron-based red, yellow, and brown ochresArchaeological and Anthropological Sciences, 14
(2007)
Pigments based on Carbon. In: Berrie BH (ed) Artists
(2020)
Science of the book: analytical methods for the study of illuminated manuscripts. In: Panayotova S (ed) A handbook of the art and science of illuminated manuscripts
B Leach, WJ Tait, PT Nicholson, I Shaw (2000)
PapyrusAncient Egyptian Materials and Technology
I. Domingo, A. Chieli (2021)
Characterizing the pigments and paints of prehistoric artistsArchaeological and Anthropological Sciences, 13
P. Ricciardi, J. Delaney, Michelle Facini, L. Glinsman (2013)
Use of Imaging Spectroscopy and in situ Analytical Methods for the Characterization of the Materials and Techniques of 15th Century Illuminated ManuscriptsJournal of the American Institute for Conservation, 52
M. Aceto, A. Agostino, G. Fenoglio, A. Idone, F. Crivello, M. Grießer, F. Kirchweger, K. Uhlir, P. Puyo (2017)
Analytical investigations on the Coronation Gospels manuscript.Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 171
J. Chalmers, H. Edwards, M. Hargreaves (2012)
Infrared and Raman spectroscopy in forensic science
(2005)
Material innovation and artistic invention: new materials and new colors in Renaissance Venetian paintings
J. Griffioen, R. Baumann, M. Field (2011)
Analysis of Herculaneum Papyri with X-ray Computed Tomography
Kate Bailey (2012)
A note on Prussian blue in nineteenth-century CantonStudies in Conservation, 57
(2011)
Analysis of Pigments on Manuscripts by Raman Spectroscopy: Advantages and Limitations
(2006)
Creagh DC (2006) Raman analysis of iron gall inks
S. Goler, Alexis Hagadorn, David Ratzan, R. Bagnall, Angela Cacciola, James McInerney, J. Yardley (2019)
Using Raman spectroscopy to estimate the dates of carbon-based inks from Ancient EgyptJournal of Cultural Heritage
A. Olsson, T. Calligaro, S. Colinart, J. Dran, N. Lövestam, B. Moignard, J. Salomon (2001)
Micro-PIXE analysis of an ancient Egyptian papyrus: Identification of pigments used for the “Book of the Dead”Nuclear Instruments & Methods in Physics Research Section B-beam Interactions With Materials and Atoms, 181
R. Newman, R. Harley (1983)
Artists' Pigments c. 1600-1835. A Study in English Documentary SourcesJournal of The American Institute for Conservation, 23
(2018)
Analytical Raman Spectroscopy of Inks. In Raman Spectroscopy in Archaeology and Art History: Volume 2, 1–15
Haida Liang (2011)
Advanced optical imaging methods for investigating manuscripts
L. Nodari, P. Ricciardi (2019)
Non-invasive identification of paint binders in illuminated manuscripts by ER-FTIR spectroscopy: a systematic study of the influence of different pigments on the binders’ characteristic spectral featuresHeritage Science, 7
C. Fischer, I. Kakoulli (2006)
Multispectral and hyperspectral imaging technologies in conservation: current research and potential applicationsStudies in Conservation, 51
M. Aceto, E. Calà (2017)
Analytical evidences of the use of iron-gall ink as a pigment on miniature paintings.Spectrochimica acta. Part A, Molecular and biomolecular spectroscopy, 187
(2021)
Surface alteration of Japanese lacquers on exposure to ( UV - free ) light
Rosarosa Manca, L. Burgio, V. Button, C. Browne, Olivia Turner, Jane Rutherston, L. Cartechini, B. Doherty, C. Grazia, M. Paolantoni, F. Rosi, M. Barucci, R. Fontana, A. Tournie, C. Andraud, A. Michelin (2019)
Scientific analysis underpinning the multidisciplinary project “The Leman Album: an Enhanced Facsimile”The European Physical Journal Plus, 134
N. Eastaugh, Valentine Walsh, T. Chaplin, R. Siddall (2007)
Pigment Compendium: A Dictionary of Historical Pigments
L. Smieska, Ruth Mullett, Laurent Ferri, A. Woll (2017)
Trace elements in natural azurite pigments found in illuminated manuscript leaves investigated by synchrotron x-ray fluorescence and diffraction mappingApplied Physics A, 123
(1993)
Smalt
M. Shahid, J. Wertz, I. Degano, M. Aceto, Mohd. Khan, A. Quye (2019)
Analytical methods for determination of anthraquinone dyes in historical textiles: A review.Analytica chimica acta, 1083
P. Ricciardi, J. Delaney, Michelle Facini, J. Zeibel, M. Picollo, S. Lomax, M. Loew (2012)
Near infrared reflectance imaging spectroscopy to map paint binders in situ on illuminated manuscripts.Angewandte Chemie, 51 23
Analytical No (2020)
X-ray micro computed tomography in cultural heritage.Analytical methods : advancing methods and applications
S. Švarcová, D. Hradil, J. Hradilová, Z. Čermáková (2021)
Pigments—copper-based greens and bluesArchaeological and Anthropological Sciences, 13
Haida Liang, L. Burgio, Kate Bailey, Andrei Lucian, Chris Dilley, Sonia Bellesia, C. Cheung, Charlotte Brooks (2014)
Culture and trade through the prism of technical art history: A study of Chinese export paintingsStudies in Conservation, 59
C. Schmidt, M. Walton, K. Trentelman (2009)
Characterization of lapis lazuli pigments using a multitechnique analytical approach: implications for identification and geological provenancing.Analytical chemistry, 81 20
(2010)
Victoria and Albert Museum - internal scientific analysis report
(2013)
Non-destructive, in situ analysis of three early medieval manuscripts from Trinity College Library Dublin (Codex Usserianus Primus, Book of Durrow, Book of Armagh)
Lynne Lancaster (2021)
Mortars and plasters—How mortars were made. The literary sourcesArchaeological and Anthropological Sciences, 13
Mari-Liis Aru, L. Burgio, M. Rumsey (2014)
Mineral impurities in azurite pigments: artistic or natural selection?†Journal of Raman Spectroscopy, 45
A. Durán, A. López‐Montes, J. Castaing, T. Espejo (2014)
Analysis of a royal 15th century illuminated parchment using a portable XRF–XRD system and micro-invasive techniquesJournal of Archaeological Science, 45
O. Hahn (2010)
Analyses of Iron Gall and Carbon Inks by Means of X-ray Fluorescence Analysis: A Non-Destructive Approach in the Field of Archaeometry and Conservation Science, 31
E. Epp, C. Roberts, T. Skeat (1984)
The birth of the codex
J. Shank, Robert Feller (1989)
Artists' Pigments. A Handbook of Their History and Characteristics, Vol. 1Leonardo, 22
M. Clarke (2001)
The analysis of medieval European manuscriptsStudies in Conservation, 46
H. Edwards (2018)
CHAPTER 1:Analytical Raman Spectroscopy of Inks
Nancy Turner, C. Patterson, D. MacLennan, K. Trentelman (2018)
Visualizing underdrawings in medieval manuscript illuminations with macro‐X‐ray fluorescence scanningX-Ray Spectrometry
J Winter, E West FitzHugh, BH Berrie (2007)
Pigments based on CarbonArtists’ Pigments, A Handbook of Their History and Characteristics
(2018)
Dye analysis of the psychedelic Leman silk
P. Craddock (2009)
Scientific investigation of copies, fakes and forgeries
2016) Shedding light on medieval manuscripts
E. Gliozzo, L. Burgio (2021)
Pigments—Arsenic-based yellows and redsArchaeological and Anthropological Sciences, 14
(2007)
Natural dyes
(1997)
Madder and Alizarin. In: West FitzHugh E (ed) Artists' Pigments
M. Melo, Paula Nabais, Maria Guimarães, Rita Araújo, R. Castro, M. Oliveira, I. Whitworth (2016)
Organic dyes in illuminated manuscripts: a unique cultural and historic recordPhilosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences, 374
Alana Lee, P. Mahon, D. Creagh (2006)
Raman analysis of iron-gall inks on parchmentVibrational Spectroscopy, 41
E. Gliozzo, Antonio Pizzo, M. Russa (2021)
Mortars, plasters and pigments—research questions and sampling criteriaArchaeological and Anthropological Sciences, 13
K. Nesměrák, I. Němcová (2012)
Dating of Historical Manuscripts Using Spectrometric Methods: A Mini-ReviewAnalytical Letters, 45
Sarah Fiddyment, Bruce Holsinger, Chiara Ruzzier, Alexander Devine, Annelise Binois, U. Albarella, R. Fischer, E. Nichols, Antoinette Curtis, Edward Cheese, M. Teasdale, Caroline Checkley-Scott, S. Milner, K. Rudy, Eric Johnson, Jiří Vnouček, Mary Garrison, S. McGrory, D. Bradley, M. Collins (2015)
Animal origin of 13th-century uterine vellum revealed using noninvasive peptide fingerprintingProceedings of the National Academy of Sciences, 112
A. Abel (2012)
The history of dyes and pigments
E. Gliozzo (2021)
Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation productsArchaeological and Anthropological Sciences, 13
(2016)
Spectrosc. https:// doi
J. Szirmai (1999)
The archaeology of medieval bookbinding
F. Pozzi, J. Lombardi, M. Leona (2013)
Winsor & Newton original handbooks: a surface-enhanced Raman scattering (SERS) and Raman spectral database of dyes from modern watercolor pigmentsHeritage Science, 1
P. Ropret, C. Miliani, S. Centeno, Č. Tavzes, F. Rosi (2010)
Advances in Raman mapping of works of artJournal of Raman Spectroscopy, 41
A. Durán, M. Franquelo, M. Centeno, T. Espejo, J. Pérez-Rodríguez (2011)
Forgery detection on an Arabic illuminated manuscript by micro‐Raman and X‐ray fluorescence spectroscopyJournal of Raman Spectroscopy, 42
K. Melessanaki, V. Papadakis, C. Balas, D. Anglos (2001)
Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscriptSpectrochimica Acta Part B: Atomic Spectroscopy, 56
P. Ricciardi, A. Mazzinghi, S. Legnaioli, C. Ruberto, L. Castelli (2019)
The Choir Books of San Giorgio Maggiore in Venice: Results of in Depth Non-Invasive AnalysesHeritage
S. Kogou, Andrei Lucian, Sonia Bellesia, L. Burgio, Kate Bailey, Charlotte Brooks, Haida Liang (2015)
A holistic multimodal approach to the non-invasive analysis of watercolour paintingsApplied Physics A, 121
(2014)
Michelangelo’s drawings seen
(1996)
acs. accso unts
Hilary Becker (2021)
Pigment nomenclature in the ancient Near East, Greece, and RomeArchaeological and Anthropological Sciences, 14
B. Brunetti, C. Miliani, A. Sgamellotti (2016)
MOLAB growth, aims and results
T. Christiansen, Davis Buti, Kim Dalby, Poul Lindelof, K. Ryholt, A. Vilà (2017)
Chemical characterization of black and red inks inscribed on ancient Egyptian papyri: The Tebtunis temple libraryJournal of Archaeological Science: Reports, 14
A. Gambardella, C. Patterson, S. Webb, M. Walton (2016)
Sulfur K-edge XANES of lazurite: Toward determining the provenance of lapis lazuliMicrochemical Journal, 125
J. Delaine (2021)
Production, transport and on-site organisation of Roman mortars and plastersArchaeological and Anthropological Sciences, 13
M. Aceto, A. Agostino, E. Boccaleri, A. Garlanda (2008)
The Vercelli Gospels laid open: an investigation into the inks used to write the oldest Gospels in LatinX-Ray Spectrometry, 37
P. Carmine, L. Giuntini, W. Hooper, F. Lucarelli, P. Mandò (1996)
Further results from PIXE analysis of inks in Galileo's notes on motionNuclear Instruments & Methods in Physics Research Section B-beam Interactions With Materials and Atoms, 113
(2019)
Nonsuch Palace: a Tudor Grand Design
Mila Crippa, S. Legnaioli, C. Kimbriel, P. Ricciardi (2020)
New evidence for the intentional use of calomel as a white pigmentJournal of Raman Spectroscopy
(1986)
Zinc white
(2019)
https://royalsocietypublishing.org/ doi/pdf/https:// doi
M. Caroselli, S. Ruffolo, Francesca Piqué (2021)
Mortars and plasters—how to manage mortars and plasters conservationArchaeological and Anthropological Sciences, 13
M. Russa, S. Ruffolo (2021)
Mortars and plasters - How to characterize mortar and plaster degradationArchaeological and Anthropological Sciences, 13
D. Tamburini (2019)
Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra databaseDyes and Pigments
D. Bersani, C. Conti, P. Matousek, F. Pozzi, P. Vandenabeele (2016)
Methodological evolutions of Raman spectroscopy in art and archaeologyAnalytical Methods, 8
F. Flieder (1968)
MISE AU POINT DES TECHNIQUES D’IDENTIFICATION DES PIGMENTS ET DES LIANTS INCLUS DANS LA COUCHE PICTURALE DES ENLUMINURES DE MANUSCRITSStudies in Conservation, 13
Alana Lee, V. Otieno-Alego, D. Creagh (2008)
Identification of Iron-gall inks with Near-Infrared Raman MicrospectroscopyJournal of Raman Spectroscopy, 39
This chapter provides an overview of some of the materials used to write and decorate different types of manuscripts, i.e. inks, pigments and dyes, and of the different scientific methods and techniques available for their analysis and characterisation. The target audience is not only made of scientists but also curators, conservators, students and practitioners who want to know more about the technical examination of manuscripts and wish to appreciate the context of the scientific analysis of this type of objects. The possible types of approach to the scientific investigation of manuscripts are discussed, and the most frequently used analytical techniques are grouped according to their level of invasiveness and destructiveness. The chapter also contains a quick guide to some of the main questions that may arise about manuscripts, and explains how scientists can help to address them. Finally, a general protocol for the scientific analysis of manuscripts is illustrated.
Archaeological and Anthropological Sciences – Springer Journals
Published: Nov 1, 2021
Keywords: Manuscripts; Papyri; Scrolls; Pigments; Dyes; Inks; Scientific analysis
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.