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Induced Recall of Film Music: An Overlooked Mirror of Transference-Countertransference Interactions

Induced Recall of Film Music: An Overlooked Mirror of Transference-Countertransference Interactions The American Journal of Psychoanalysis, Vol. 58, No. 3, 1998 INDUCED RECALL OF FILM MUSIC: AN OVERLOOKED MIRROR OF TRANSFERENCE- COUNTERTRANSFERENCE INTERACTIONS Cora L. Diaz de Chumaceiro General interest in psychoanalytic community educational film programs in different cities in the United States has increased. Patients in psycho- analysis or psychotherapy attend and often later express in their therapy sessions the impact these experiences had on them (Levin, 1996). Yet while film music may be rarely mentioned in these discussions, undoubtedly mu- sic has an important supporting role in films. What about the impact of film music in treatment? In addition to the interest that these educational film programs have generated, due to the pleasure as well as escape from rou- tine in life that going to the cinema provides, many patients and therapists today are frequent viewers of new and old films shown in town, which eventually also can be seen on television or videos. It is well known that patients may mention songs and that music may also surface to consciousness in the analyst's mind before, during, or after sessions related to the case. Hardly surprising, in view of the frequency of exposure to movies, recalled music may http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The American Journal of Psychoanalysis Springer Journals

Induced Recall of Film Music: An Overlooked Mirror of Transference-Countertransference Interactions

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References (22)

Publisher
Springer Journals
Copyright
Copyright © 1998 by Association for the Advancement of Psychoanalysis
Subject
Psychology; Clinical Psychology; Psychotherapy; Psychoanalysis
ISSN
0002-9548
eISSN
1573-6741
DOI
10.1023/A:1022591525637
Publisher site
See Article on Publisher Site

Abstract

The American Journal of Psychoanalysis, Vol. 58, No. 3, 1998 INDUCED RECALL OF FILM MUSIC: AN OVERLOOKED MIRROR OF TRANSFERENCE- COUNTERTRANSFERENCE INTERACTIONS Cora L. Diaz de Chumaceiro General interest in psychoanalytic community educational film programs in different cities in the United States has increased. Patients in psycho- analysis or psychotherapy attend and often later express in their therapy sessions the impact these experiences had on them (Levin, 1996). Yet while film music may be rarely mentioned in these discussions, undoubtedly mu- sic has an important supporting role in films. What about the impact of film music in treatment? In addition to the interest that these educational film programs have generated, due to the pleasure as well as escape from rou- tine in life that going to the cinema provides, many patients and therapists today are frequent viewers of new and old films shown in town, which eventually also can be seen on television or videos. It is well known that patients may mention songs and that music may also surface to consciousness in the analyst's mind before, during, or after sessions related to the case. Hardly surprising, in view of the frequency of exposure to movies, recalled music may

Journal

The American Journal of PsychoanalysisSpringer Journals

Published: Oct 7, 2004

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