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B. J. Paris (1994)
Karen Horney: A Psychoanalyst's Search for Self-Understanding
(1986)
Third Force Psychology and the Study of Literature
B. J. Paris (1997)
Imagined Human Beings: A Psychological Approach to Character and Conflict in Literature
M. H. Williams, M. Waddell (1991)
The Chamber of Maiden Thought: Literary Origins of the Psychoanalytic Model of the Mind
B. J. Paris (1974)
A Psychological Approach to Fiction: Studies in Thackeray, Stendhal, George Eliot, Dostoevsky, and Conrad
C. Rotenberg (1998)
Vengeance and transformation in Daniel DerondaThe Journal of the American Academy of Psychoanalysis, 25
B. J. Paris (1991)
Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His Plays
A. S. Byatt, I. Sodré (1995)
Imagining Characters: Six Conversations About Women Writers
L. Emery (1974)
George Eliot's Creative Conflict: The Other Side of Silence
M. Waddell (1994)
Understanding Your Twelve to Fourteen Year-Old
P. F. Johnstone (1994)
The Transformation of Rage: Mourning and Creativity in George Eliot's Fiction
B. J. Paris (1965)
Experiments in Life: George Eliot's Quest for Values
B. J. Paris (1991)
Character as a Subversive Force in Shakespeare: The History and Roman Plays
B. J. Paris (1978)
Character and Conflict in Jane Austen's Novels: A Psychological Approach
M. Waddell (1998)
Inside Lives: Psychoanalysis and the Growth of the Personality
The American Journal of Psychoanalysis, Vol. 59, No. 3, 1999 The idea for a special issue of this Journal devoted to psychoanalytic perspectives on George Eliot originated with its editor, Douglas Ingram, who, amazingly, read through all of Eliot's fiction during a year in which he was President of the American Academy of Psychoanalysis and as- sumed the deanship of the American Institute for Psychoanalysis, in addi- tion to carrying out his editorial duties and engaging in a busy private practice. Once Doug discovered that I had written a book on George Eliot (Paris, 1965) and was writing on her again, we corresponded about each piece of fiction he was reading. His invitation to guest edit this issue flowed from that correspondence. Doug was profoundly impressed, as I have been for many years, by the subtlety of Eliot's characterizations and the ways in which they anticipate the insights of psychoanalysis. It has been one of my main themes as a literary critic that the great realistic writers, of whom George Eliot is one, have intuitively grasped and artistically portrayed the same kinds of phe- nomena that psychoanalytic theory has tried to explain (see Paris, 1974, 1978, 1986, 1991a, 1991b,
The American Journal of Psychoanalysis – Springer Journals
Published: Oct 16, 2004
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