Access the full text.
Sign up today, get DeepDyve free for 14 days.
(2008)
Evolución química de materiales pictóricos: degradación o conservación
(2015)
Caracterización química de pinturas rupestres prehispánicas del sitio arqueológico de Oyola mediante sem - eds , drx , ftir , frx y gc - ms ( Catamarca , Argentina )
I Gordillo, M Baldini, F Kusch (2000)
Arte en las Rocas. Arte Rupestre, Menhires y Piedras de Colores en Argentina
TR Pauketat (2001)
Practice and history in archaeology: an emerging paradigmAnthropological Theory, 1
L. Gheco, Marcos Gastaldi, F. Marte, Marcos Quesada, M. Tascon, N. Mastrangelo (2017)
About fires and paintings: Three stratigraphic insights on the history of a cave with prehispanic rock artJournal of Archaeological Science: Reports, 15
H. Roos, E. Roos, L. Ryd (1997)
On the art of measuring.Acta orthopaedica Scandinavica, 68 1
T. Sørensen (2017)
The Two Cultures and a World Apart: Archaeology and Science at a New CrossroadsNorwegian Archaeological Review, 50
A. Bonneau, D. Pearce, P. Mitchell, R. Staff, Charles Arthur, L. Mallen, F. Brock, T. Higham (2017)
The earliest directly dated rock paintings from southern Africa: new AMS radiocarbon datesAntiquity, 91
T. Pauketat, Susan Alt (2005)
Agency in a Postmold? Physicality and the Archaeology of Culture-MakingJournal of Archaeological Method and Theory, 12
M. Tascon, N. Mastrangelo, L. Gheco, Marcos Gastaldi, Marcos Quesada, F. Marte (2016)
Micro-spectroscopic analysis of pigments and carbonization layers on prehispanic rock art at the Oyola's caves, Argentina, using a stratigraphic approachMicrochemical Journal, 129
M. Quesada, L. Gheco (2015)
Tiempos, cuevas y pinturas. Reflexiones sobre la policronía del arte rupestre de Oyola (provincia de Catamarca, Argentina)Relaciones de la Sociedad Argentina de Antropología, 40
F Marte, M Tascón, N Mastrangelo (2013)
The art of measuring II: challenges in measuring particles in cross-sectionsEadem Utraque Europa, 14
J. Ruiz, A. Hernanz, R. Armitage, M. Rowe, R. Viñas, J. Gavira-Vallejo, A. Rubio (2012)
Calcium oxalate AMS 14C dating and chronology of post-Palaeolithic rock paintings in the Iberian Peninsula. Two dates from Abrigo de los Oculados (Henarejos, Cuenca, Spain)Journal of Archaeological Science, 39
D. Hoffmann, A. Pike, M. García-Diez, P. Pettitt, J. Zilhão (2016)
Methods for U-series dating of CaCO3 crusts associated with Palaeolithic cave art and application to Iberian sitesQuaternary Geochronology, 36
D. Chiriu, P. Ricci, Andrea Polcaro, Paolo Braconi, David Lanzi, Davide Nadali (2014)
Raman study on Pompeii potteries: The role of calcium hydroxide on the surface treatmentSpectroscopy, 2014
Ségolène Vandevelde, J. Brochier, Bruno Desachy, C. Petit, L. Slimak (2017)
Sooted concretions: A new micro-chronological tool for high temporal resolution archaeologyQuaternary International, 474
(1998)
Cultura La Aguada. Arqueología y diseños
(1982)
Origin of black deposits in caves
A. Pike, D. Hoffmann, P. Pettitt, M. García-Diez, J. Zilhão (2017)
Dating Palaeolithic cave art: Why U–Th is the way to goQuaternary International, 432
N. Zupančič, S. Šebela, M. Miler (2011)
Mineralogical and chemical characteristics of black coatings in Postojna cave systemActa Carsologica, 40
(2018)
Entre humos, fuegos y pinturas. Una metodología para conectar historias sobre una cueva con arte rupestre del sitio de Oyola
(2015)
Indicios de iluminación prehistórica en el contexto arqueológico interno de las cuevas decoradas : tipos y potencial arqueológico
M. Quesada, V. Zuccarelli, Lucas Ghecco, M. Gastaldi, Sofía Boscatto, E. Moreno (2017)
Paisaje y experiencia en Oyola a finales del primer milenio D.C. (Dpto. El Alto, Catamarca)., 20
Guilhem Mauran, M. Lebon, F. Détroit, B. Caron, A. Nankela, D. Pleurdeau, J. Bahain (2019)
First in situ pXRF analyses of rock paintings in Erongo, Namibia: results, current limits, and prospectsArchaeological and Anthropological Sciences
Guilhem Mauran, L. Bassel, Catherine Ferrier, D. Lacanette, Bruno Bousquet, Rémy Chapoulie (2018)
Variability and sampling strategy of cave wall concretion: Case study of the moonmilk found in Leye Cave (Dordogne)Archaeometry
(2014)
Raman study on calcium hydroxide used on the surface of Pompeii pottery Abstract
K. Steelman, M. Rowe, T. Boutton, J. Southon, C. Merrell, Richard Hill (2002)
Stable Isotope and Radiocarbon Analyses of a Black Deposit Associated with Pictographs at Little Lost River Cave, IdahoJournal of Archaeological Science, 29
L Gheco, A Poliszuk (2015)
Arqueometría argentina, metodologías científicas aplicadas al estudio de los bienes culturales: datación, caracterización, prospección y conservación
A. Hernanz, M. Iriarte, P. Bueno-Ramírez, R. Balbín-Behrmann, J. Gavira-Vallejo, Delia Calderón-Saturio, L. Laporte, Rosa Barroso-Bermejo, Philippe Gouézin, Á. Maroto-Valiente, L. Salanova, Gerard Benetau-Douillard, E. Mens (2016)
Raman microscopy of prehistoric paintings in French megalithic monumentsJournal of Raman Spectroscopy, 47
(2017)
El laberinto de las paredes pintadas. Una historia de los abrigos con arte rupestre de Oyola, Catamarca
M. Gastaldi, L. Gheco, E. Moreno, Gabriela Granizo, M. Ahumada, Débora Egea, M. Quesada (2017)
Primeros resultados de las excavaciones estratigráficas en Oyola 7 (Sierra de el Alto-Ancasti, Provincia de Catamarca, Argentina), 20
C Ferrier, É Debard, B Kervazo, A Brodard, P Guibert, D Baffier (2015)
Heated walls of the cave Chauvet-Pont d’Arc heated walls of the cave Chauvet-Pont d’Arc (Ardèche, France): characterization and chronologyPaleo, 25
J. Russ, W. Kaluarachchi, L. Drummond, H. Edwards (1999)
THE NATURE OF A WHEWELLITE-RICH ROCK CRUST ASSOCIATED WITH PICTOGRAPHS IN SOUTHWESTERN TEXASStudies in Conservation, 44
A. Hernanz, J. Ruiz-López, J. Madariaga, E. Gavrilenko, M. Maguregui, S. Vallejuelo, I. Martinez-Arkarazo, Ramiro Alloza-Izquierdo, Vicente Baldellou-Martínez, Ramón Viñas-Vallverdú, Albert Mora, À. Pitarch, A. Giakoumaki (2014)
Spectroscopic characterisation of crusts interstratified with prehistoric paintings preserved in open‐air rock art sheltersJournal of Raman Spectroscopy, 45
L. Gheco, M. Quesada, G. Ybarra, Andrea Poliszuk, O. Burgos (2014)
Espacios rupestres como «obras abiertas»: una mirada a los procesos de confección y transformación de los abrigos con arte rupestre del este de Catamarca (Argentina), 43
M. García-Diez, D. Hoffmann, J. Zilhão, C. Heras, J. Lasheras, R. Montes, A. Pike (2013)
Uranium series dating reveals a long sequence of rock art at Altamira Cave (Santillana del Mar, Cantabria)Journal of Archaeological Science, 40
(2016)
Calderón-Saturio D et al (2016) Raman microscopy
C. Ferrier, É. Debard, B. Kervazo, Aurélie Brodard, P. Guibert, D. Baffier, V. Féruglio, B. Gély, J. Geneste, Frédéric Maksud (2014)
Les parois chauffées de la grotte Chauvet-Pont d’Arc (Ardèche, France) : caractérisation et chronologie
Judith Trujillo, C. Falguères, L. Oosterbeek, P. Rosina (2010)
Archaeometry of rock art paintings: La Piedra De La Cuadricula (Soacha, Cundinamarca, Colombia). A contribution to the study of prehistoric art, 6
(1982)
Otros aportes al arte rupestre del este catamarqueño
K. Kristiansen (2017)
The Nature of Archaeological Knowledge and Its Ontological TurnsNorwegian Archaeological Review, 50
JD Moore (2010)
Making a huaca: memory and praxis in prehispanic far northern PeruJ Soc Archaeol, 10
D. Lacanette, J. Mindeguia, Aurélie Brodard, Catherine Ferrier, P. Guibert, Jean-Claude Leblanc, P. Malaurent, C. Sirieix (2017)
Simulation of an experimental fire in an underground limestone quarry for the study of Paleolithic firesInternational Journal of Thermal Sciences, 120
S. Šebela, M. Miler, Simona Skobe, Sonja Torkar, N. Zupančič (2015)
Characterization of black deposits in karst caves, examples from SloveniaFacies, 61
N Fuente, DC Nazar, E Pelli (2005)
La Cultura de La Aguada y sus Expresiones Regionales
(2012)
Una historia en la pared. Hacia una visión diacrónica del arte rupestre de Oyola
G. Fredlund, Linea Sundstrom (2007)
Digital infra-red photography for recording painted rock artAntiquity, 81
R. JoséBerenguer (2016)
30° Aniversario del Boletín del Museo Chileno de arte Precolombino, 21
Helen Green, A. Gleadow, Damien Finch, J. Hergt, Sven Ouzman (2017)
Mineral deposition systems at rock art sites, Kimberley, Northern Australia — Field observationsJournal of Archaeological Science: Reports, 14
B. Prieto, M. Seaward, H. Edwards, T. Rivas, B. Silva (1998)
An Fourier transform-Raman spectroscopic study of gypsum neoformation by lichens growing on granitic rocksSpectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 55
A. Watchman (1991)
Age and composition of oxalate-rich crusts in the northern territory, AustraliaStudies in Conservation, 36
H. Edwards, N. Russell, M. Seaward (1997)
CALCIUM OXALATE IN LICHEN BIODETERIORATION STUDIED USING FT-RAMAN SPECTROSCOPYSpectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy, 53
Eugenia Tomasini, Mara Basile, N. Ratto, Marta Maier (2012)
EVIDENCIAS QUÍMICAS DE DETERIORO AMBIENTAL EN MANIFESTACIONES RUPESTRES: UN CASO DE ESTUDIO DEL OESTE TINOGASTEÑO (CATAMARCA, ARGENTINA), 17
R. Sussman (2002)
What a tangled web they also weaveAnthropological Theory, 2
MA Medina-Alcaide (2015)
En torno al arte: el contexto arqueológico interno de las cuevas decoradas. Actas XIX International Rock art Conference (IFRAO 2015)
(2012)
El arte rupestre de Oyola (dpto. El Alto, Catamarca): un caso de narrativas superpuestas
(2000)
Entre objetos, rocas y cuevas: significados y relaciones entre la iconografía rupestre y mobiliar de Aguada
A. Roberts, Isobelle Campbell, A. Pring, G. Bell, A. Watchman, R. Popelka-Filcoff, C. Lenehan, C. Gibson, Natalie Franklin (2015)
A multidisciplinary investigation of a rock coating at Ngaut Ngaut (Devon Downs), South AustraliaAustralian Archaeology, 80
D. Hoffmann, C. Standish, M. García-Diez, P. Pettitt, J. Milton, J. Zilhão, J. Zilhão, J. Alcolea-González, P. Cantalejo-Duarte, H. Collado, R. Balbín, M. Lorblanchet, J. Ramos-Muñoz, G.-Ch. Weniger, G.-Ch. Weniger, A. Pike (2018)
U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave artScience, 359
T. Pauketat (2001)
Practice and history in archaeologyAnthropological Theory, 1
Catherine Ferrier, É. Debard, Bertrand Kervazo, Aurélie Brodard, P. Guibert, D. Baffier, Valérie Féruglio, B. Gély, J. Geneste, Frédéric Maksud (2014)
Heated walls of the cave Chauvet-Pont d’Arc (Ardèche, France): characterization and chronologyPaleobiology
H. Mahmoud (2012)
Morphological, chemical and mineralogical characterization of deterioration products from the tomb of Kheruef (TT192), (Luxor, Egypt)Periodico Di Mineralogia, 81
D. Pearce, A. Bonneau (2018)
Trouble on the dating sceneNature Ecology & Evolution, 2
H. Edwards, E. Newton, J. Russ (2000)
Raman spectroscopic analysis of pigments and substrata in prehistoric rock artJournal of Molecular Structure, 550
F Marte, N Mastrangelo, M Tascon (2011)
The art of measuring: optical microscopy applied to the measurement of transversal sectionsEadem Utraque Europa, 13
A. Hernanz, J. Gavira-Vallejo, J. Ruiz-López, H. Edwards (2008)
A comprehensive micro-Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, SpainJournal of Raman Spectroscopy, 39
(2005)
Documentación y diagnóstico del arte rupestre de La Tunita, Provincia de Catamarca, República Argentina
Jerry Moore (2010)
Making a huacaJournal of Social Archaeology, 10
Ségolène Vandevelde, J. Brochier, C. Petit, L. Slimak (2017)
Establishment of occupation chronicles in Grotte Mandrin using sooted concretions: Rethinking the Middle to Upper Paleolithic transition.Journal of human evolution, 112
Elia Martínez (2008)
Aplicación Dstretch del software Image-J. Avance de resultados en el Arte Rupestre de la Región de Murcia
A. Hernanz, J. Gavira-Vallejo, J. Ruiz-López (2007)
Calcium oxalates and prehistoric paintings. The usefulness of these biomaterialsJournal of Optoelectronics and Advanced Materials, 9
Is it possible to detect rock paintings coated by natural or anthropic concretions? In this work, a methodology to discover and characterize underlying paintings is proposed. This approach combines chemical studies by micro-Raman and SEM-EDS of micro-stratigraphic samples taken from the paintings and support rock. As a case of study, it is described the research performed in the archeological site of Oyola in the northwest of Argentina. Strong evidences of red, black, and white hidden paintings have been found. In addition, the method herein presented is thoroughly evaluated pointing out their possibilities and limitations as a tool for the understanding of the historical processes involving production and transformation of the rock art panels. To this end, the methodology was proofed to be a successful exploratory approach for painting detection, expanding its capabilities when complemented with non-invasive characterization techniques.
Archaeological and Anthropological Sciences – Springer Journals
Published: May 30, 2019
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.