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Justice Delayed, Justice Compared: Labor Justice across the Americas

Justice Delayed, Justice Compared: Labor Justice across the Americas 106 New Labor Forum 27(2) collective character of work and has long pro- vided the webs of connection that allow workers to transform the conditions of their labor. Far from homogeneity, the paradigmatic symbols of the organized working class—the union hall, the strike—quilt together a diversity of interests and visions that always threaten to fray and require reknitting. The age of Kean, Subway Sandwich Artist, the era of a new working class, requires a new “iconography of collective labor” as much as it does portraits of individual laborers. Author Biography Adom Getachew is assistant professor of political science and the college at the University of Chicago. Justice Delayed, Justice Compared Figure 4. Kean, Subway Sandwich Artist by Shauna Labor Justice across the Americas Frischkorn, 2014. By Leon Fink and Juan Manuel Palacio University of Illinois Press, 2017 Cloth ISBN: 978-0-252-04150-1 considers this contemporary condition (Figure Paper ISBN: 978-252-08306-8 4). In this appropriation and reworking of Ebook ISBN: 978-252-05011-4 Renaissance portraiture, Frischkorn calls atten- tion to and resists the homogenization and ano- Reviewed by: César F. Rosado Marzán nymity that this new labor regime imposes. DOI: 10.1177/1095796018765146 Kean is dressed in his Subway uniform—one that he shares with countless other http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png New Labor Forum SAGE

Justice Delayed, Justice Compared: Labor Justice across the Americas

Rosado Marzán, César F.
New Labor Forum , Volume 27 (2): 7 – May 1, 2018
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Publisher
SAGE
Copyright
© 2018, The Murphy Institute, City University of New York
ISSN
1095-7960
eISSN
1557-2978
DOI
10.1177/1095796018765146
Publisher site
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Abstract

106 New Labor Forum 27(2) collective character of work and has long pro- vided the webs of connection that allow workers to transform the conditions of their labor. Far from homogeneity, the paradigmatic symbols of the organized working class—the union hall, the strike—quilt together a diversity of interests and visions that always threaten to fray and require reknitting. The age of Kean, Subway Sandwich Artist, the era of a new working class, requires a new “iconography of collective labor” as much as it does portraits of individual laborers. Author Biography Adom Getachew is assistant professor of political science and the college at the University of Chicago. Justice Delayed, Justice Compared Figure 4. Kean, Subway Sandwich Artist by Shauna Labor Justice across the Americas Frischkorn, 2014. By Leon Fink and Juan Manuel Palacio University of Illinois Press, 2017 Cloth ISBN: 978-0-252-04150-1 considers this contemporary condition (Figure Paper ISBN: 978-252-08306-8 4). In this appropriation and reworking of Ebook ISBN: 978-252-05011-4 Renaissance portraiture, Frischkorn calls atten- tion to and resists the homogenization and ano- Reviewed by: César F. Rosado Marzán nymity that this new labor regime imposes. DOI: 10.1177/1095796018765146 Kean is dressed in his Subway uniform—one that he shares with countless other

Journal

New Labor Forum – SAGE

Published: May 1, 2018

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