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Contributors

Contributors claire anscomb received her Ph.D. (2019) in History and Philosophy of Art from the University of Kent, where she is an associate member of the Aesthetics Research Centre. Her research interests include hybrid art, the epistemic and aesthetic value of photography, and creativity in artistic and scientific practices. She is co-editor of Debates in Aesthetics and a practicing artist. wesley d. cray is Associate Professor of Philosophy and faculty affiliate of Women and Gender Studies at Texas Christian University. Their research focuses on issues in and around aesthetics. Outside of academic work, they also serve as an LGBTQIA+ educator and consultant in clinical contexts. greg currie teaches philosophy at the University of York. He is a fellow of the British Academy and of the Australian Academy of the Humanities. His most recent book is Imagining and Knowing (Oxford University Press, 2020). He hopes to complete another book some time: on why aesthetic cognition is social cognition. e.m. dadlez is Professor of Philosophy at the University of Central Oklahoma. Her work is mainly on the philosophy of art and literature, and on topics at the intersection (sometimes, more accurately, the collision) of aesthetics, ethics, and epistemology. She is the author of What’s Hecuba to Him? Fictional Events and Actual Emotions (Penn State University Press, 1997) and Mirrors to One Another: Emotion and Value in Jane Austen and David Hume (Wiley-Blackwell, 2009). She is the editor of Jane Austen’s Emma: Philosophical Perspectives (Oxford University Press, 2018). stephen davies is the author of a number of books in aesthetics, including The Philosophy of Art (Wiley, 2nd edition 2016), Philosophical Perspectives on Art (Oxford University Press, 2007), The Artful Species (Oxford University Press, 2012) and Adornment: What Self-Decoration Tells Us about Who We Are (Bloomsbury Academic, 2020). He is a former President of the American Society for Aesthetics. aurélie j. debaene is Ph.D. Candidate and Graduate Teaching Assistant in History and Philosophy of Art at the University of Kent. She is currently finalizing her thesis which constitutes an aesthetics of posing in traditional visual arts and photography. She is keen to work on projects that connect aesthetics, the art sector, and general public dan flory is Professor of Philosophy at Montana State University, author of Philosophy, Black Film, Film Noir (Penn State University Press, 2008), and co-editor (with Mary K. Bloodsworth-Lugo) of Race, Philosophy, and Film (Routledge, 2013). He has written over thirty journal articles and book chapters on philosophy, critical race theory, film, and the history of philosophy. jacopo frascaroli is a fourth-year PhD candidate at the University of York, where he contributes to an interdisciplinary project entitled “Learning from Fiction.” His work brings together aesthetics, philosophy of language and cognitive science. marilynn johnson is Assistant Professor of Philosophy at the University of San Diego. She works primarily on questions of meaning and interpretation. She has published on the topics of bodily adornment, philosophy of language, philosophy of archaeology, and logic. She is currently completing a book on meaning in bodies and bodily adornment in humans and non-human animals, forthcoming with Bloomsbury julia minarik is an M.A. student at the University of Manitoba and the current managing editor of the American Society for Aesthetics Graduate E-Journal. Her M.A. thesis, pursued under the advisement of Carl Matheson, aims at developing an ontology of tattoos. Her philosophical interests lie primarily at the intersection of aesthetics and metaphysics. maarten steenhagen is Research Fellow in Aesthetics at Uppsala University in Sweden. His interests are in aesthetics and the philosophy of psychology. He has published on perception, mirror images, and depiction. His current research uproots the foundations of aesthetics by studying non-sensory beauty, as part of a research project on aesthetic perception and cognition. He has also taught at Queens’ College, Cambridge. nicholas whittaker is a Ph.D. candidate at the City University of New York, Graduate Center. They work on the intersection point between philosophy of art, continental phenomenology, and philosophy of race. © The Author(s) 2021. Published by Oxford University Press on behalf of the American Society for Aesthetics. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com This article is published and distributed under the terms of the Oxford University Press, Standard Journals Publication Model (https://academic.oup.com/journals/pages/open_access/funder_policies/chorus/standard_publication_model) http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Journal of Aesthetics and Art Criticism Oxford University Press

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Publisher
Oxford University Press
Copyright
© The Author(s) 2021. Published by Oxford University Press on behalf of the American Society for Aesthetics. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com
ISSN
0021-8529
eISSN
1540-6245
DOI
10.1093/jaac/kpab056
Publisher site
See Article on Publisher Site

Abstract

claire anscomb received her Ph.D. (2019) in History and Philosophy of Art from the University of Kent, where she is an associate member of the Aesthetics Research Centre. Her research interests include hybrid art, the epistemic and aesthetic value of photography, and creativity in artistic and scientific practices. She is co-editor of Debates in Aesthetics and a practicing artist. wesley d. cray is Associate Professor of Philosophy and faculty affiliate of Women and Gender Studies at Texas Christian University. Their research focuses on issues in and around aesthetics. Outside of academic work, they also serve as an LGBTQIA+ educator and consultant in clinical contexts. greg currie teaches philosophy at the University of York. He is a fellow of the British Academy and of the Australian Academy of the Humanities. His most recent book is Imagining and Knowing (Oxford University Press, 2020). He hopes to complete another book some time: on why aesthetic cognition is social cognition. e.m. dadlez is Professor of Philosophy at the University of Central Oklahoma. Her work is mainly on the philosophy of art and literature, and on topics at the intersection (sometimes, more accurately, the collision) of aesthetics, ethics, and epistemology. She is the author of What’s Hecuba to Him? Fictional Events and Actual Emotions (Penn State University Press, 1997) and Mirrors to One Another: Emotion and Value in Jane Austen and David Hume (Wiley-Blackwell, 2009). She is the editor of Jane Austen’s Emma: Philosophical Perspectives (Oxford University Press, 2018). stephen davies is the author of a number of books in aesthetics, including The Philosophy of Art (Wiley, 2nd edition 2016), Philosophical Perspectives on Art (Oxford University Press, 2007), The Artful Species (Oxford University Press, 2012) and Adornment: What Self-Decoration Tells Us about Who We Are (Bloomsbury Academic, 2020). He is a former President of the American Society for Aesthetics. aurélie j. debaene is Ph.D. Candidate and Graduate Teaching Assistant in History and Philosophy of Art at the University of Kent. She is currently finalizing her thesis which constitutes an aesthetics of posing in traditional visual arts and photography. She is keen to work on projects that connect aesthetics, the art sector, and general public dan flory is Professor of Philosophy at Montana State University, author of Philosophy, Black Film, Film Noir (Penn State University Press, 2008), and co-editor (with Mary K. Bloodsworth-Lugo) of Race, Philosophy, and Film (Routledge, 2013). He has written over thirty journal articles and book chapters on philosophy, critical race theory, film, and the history of philosophy. jacopo frascaroli is a fourth-year PhD candidate at the University of York, where he contributes to an interdisciplinary project entitled “Learning from Fiction.” His work brings together aesthetics, philosophy of language and cognitive science. marilynn johnson is Assistant Professor of Philosophy at the University of San Diego. She works primarily on questions of meaning and interpretation. She has published on the topics of bodily adornment, philosophy of language, philosophy of archaeology, and logic. She is currently completing a book on meaning in bodies and bodily adornment in humans and non-human animals, forthcoming with Bloomsbury julia minarik is an M.A. student at the University of Manitoba and the current managing editor of the American Society for Aesthetics Graduate E-Journal. Her M.A. thesis, pursued under the advisement of Carl Matheson, aims at developing an ontology of tattoos. Her philosophical interests lie primarily at the intersection of aesthetics and metaphysics. maarten steenhagen is Research Fellow in Aesthetics at Uppsala University in Sweden. His interests are in aesthetics and the philosophy of psychology. He has published on perception, mirror images, and depiction. His current research uproots the foundations of aesthetics by studying non-sensory beauty, as part of a research project on aesthetic perception and cognition. He has also taught at Queens’ College, Cambridge. nicholas whittaker is a Ph.D. candidate at the City University of New York, Graduate Center. They work on the intersection point between philosophy of art, continental phenomenology, and philosophy of race. © The Author(s) 2021. Published by Oxford University Press on behalf of the American Society for Aesthetics. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com This article is published and distributed under the terms of the Oxford University Press, Standard Journals Publication Model (https://academic.oup.com/journals/pages/open_access/funder_policies/chorus/standard_publication_model)

Journal

The Journal of Aesthetics and Art CriticismOxford University Press

Published: Sep 4, 2021

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