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43 6 THE AMERICAN JOURNAL OF COMPARATIVE LAW vention as last revised at Brussels. It is particularly gratifying that the author has given us at the end of his excellent work a resume' in English, French, and German of the major conclusions at which he has arrived. Having pointed out that, under Dutch law, a cinematographic work is a collective work, the view also taken by Dr. Gerard in his book, he expresses the view that "because of the nature of cinematographic work as a visual, acoustic unit, the copyright should vest in the collaborating authors." Much study is given to the legal position of the so-called "adapter" and to the position of the producer of the film in his capacity as an employer. This work, too, devotes considerable space to a discussion of the problems of the moral right of authors. Attention may be called to still another recent publication on the same sub ject of cinematographic works, the Spanish article by Carlos Mouchet and Sigfrido A. Radaelli, which was originally published in La Revista General de Legislacidn y Jurisprudencia in October, 1953, and has now been issued as a pamphlet. Savatier, contrary to the above-discussed authorities, Gerard
American Journal of Comparative Law – Oxford University Press
Published: Jul 1, 1954
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