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(2020)
A Companion to Korean Art
(2019)
Dao Companion to Korean Confucian PhilosophyDao Companions to Chinese Philosophy
In this essay, I discuss Korean artists’ multi-layered, internal motives for engaging in artistic practices: their artistic devotion derives from their desires for moral self-cultivation, self-enjoyment, and self-forgetting. I speculate that these tendencies were intensified in Korean cultural traditions by distinctive sociopolitical circumstances of the Joseon period under the dominance of Neo-Confucianism, such as a fixed social hierarchy and Sino-centrist perspectives. This interpretation provides a useful lens for better understanding contemporary Korean artistic practices in both the fine and popular arts.
The Journal of Aesthetics and Art Criticism – Oxford University Press
Published: Jun 15, 2022
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