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Artistic Motives in Korean Art Traditions: Self-Cultivation, Self-Enjoyment, and Self-Forgetting

Artistic Motives in Korean Art Traditions: Self-Cultivation, Self-Enjoyment, and Self-Forgetting In this essay, I discuss Korean artists’ multi-layered, internal motives for engaging in artistic practices: their artistic devotion derives from their desires for moral self-cultivation, self-enjoyment, and self-forgetting. I speculate that these tendencies were intensified in Korean cultural traditions by distinctive sociopolitical circumstances of the Joseon period under the dominance of Neo-Confucianism, such as a fixed social hierarchy and Sino-centrist perspectives. This interpretation provides a useful lens for better understanding contemporary Korean artistic practices in both the fine and popular arts. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Journal of Aesthetics and Art Criticism Oxford University Press

Artistic Motives in Korean Art Traditions: Self-Cultivation, Self-Enjoyment, and Self-Forgetting

The Journal of Aesthetics and Art Criticism , Volume 80 (3): 6 – Jun 15, 2022

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References (2)

Publisher
Oxford University Press
Copyright
© The Author(s) 2022. Published by Oxford University Press on behalf of the American Society for Aesthetics. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com
ISSN
0021-8529
eISSN
1540-6245
DOI
10.1093/jaac/kpac032
Publisher site
See Article on Publisher Site

Abstract

In this essay, I discuss Korean artists’ multi-layered, internal motives for engaging in artistic practices: their artistic devotion derives from their desires for moral self-cultivation, self-enjoyment, and self-forgetting. I speculate that these tendencies were intensified in Korean cultural traditions by distinctive sociopolitical circumstances of the Joseon period under the dominance of Neo-Confucianism, such as a fixed social hierarchy and Sino-centrist perspectives. This interpretation provides a useful lens for better understanding contemporary Korean artistic practices in both the fine and popular arts.

Journal

The Journal of Aesthetics and Art CriticismOxford University Press

Published: Jun 15, 2022

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