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Why Live?

Why Live? THE HERB ALPERT SCHOOL OF MUSIC AT CALARTS 2008/2009 FACULTY INCLUDES: ON-LINE ARCHIVES Leonardo Music Journal Archives Now On-Line! Thousands of texts by artists and researchers around the world working at the intersection of the arts, sciences and technology can now be accessed online. Past issues of Leonardo and Leonardo Music Journal (LMJ) beginning with Volume 1 (1968) up through five years previous to the current year are now available to Leonardo and LMJ subscribers via the JSTOR Arts & Sciences III Collection. More recent articles can be accessed on the MIT Press web site with a Leonardo or LMJ subscription. In the Leonardo Music Journal archives you will find such titles as: “The Earthworm Also Sings: A Composer’s Practice of Deep Listening,” by Pauline Oliveros (Leonardo Music Journal, Vol. 3, 1993). “Inventing Images: Constructing and Contesting Gender in Thinking about Elecroacoustic Music,” by Andra McCartney (Leonardo Music Journal, Vol. 5, 1995). “The Design of a Musical Instrument Based on Cathode Relays,” by Leon Theremin (Leonardo Music Journal, Vol. 6, 1996). “Quotation and Context: Sampling and John Oswald’s ‘Plunderphonics’,” by Kevin Holm-Hudson (Leonardo Music Journal, Vol. 7, 1997). “Origins of a Form: Acoustical Exploration, Science and Incessancy,” by http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Leonardo Music Journal MIT Press

Why Live?

Collins, Nicolas
Leonardo Music Journal , Volume December 2008 (18) – Dec 1, 2008
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Publisher
MIT Press
Copyright
© 2008 Massachusetts Institute of Technology
Subject
Introduction
ISSN
0961-1215
eISSN
1531-4812
DOI
10.1162/lmj.2008.18.7
Publisher site
See Article on Publisher Site

Abstract

THE HERB ALPERT SCHOOL OF MUSIC AT CALARTS 2008/2009 FACULTY INCLUDES: ON-LINE ARCHIVES Leonardo Music Journal Archives Now On-Line! Thousands of texts by artists and researchers around the world working at the intersection of the arts, sciences and technology can now be accessed online. Past issues of Leonardo and Leonardo Music Journal (LMJ) beginning with Volume 1 (1968) up through five years previous to the current year are now available to Leonardo and LMJ subscribers via the JSTOR Arts & Sciences III Collection. More recent articles can be accessed on the MIT Press web site with a Leonardo or LMJ subscription. In the Leonardo Music Journal archives you will find such titles as: “The Earthworm Also Sings: A Composer’s Practice of Deep Listening,” by Pauline Oliveros (Leonardo Music Journal, Vol. 3, 1993). “Inventing Images: Constructing and Contesting Gender in Thinking about Elecroacoustic Music,” by Andra McCartney (Leonardo Music Journal, Vol. 5, 1995). “The Design of a Musical Instrument Based on Cathode Relays,” by Leon Theremin (Leonardo Music Journal, Vol. 6, 1996). “Quotation and Context: Sampling and John Oswald’s ‘Plunderphonics’,” by Kevin Holm-Hudson (Leonardo Music Journal, Vol. 7, 1997). “Origins of a Form: Acoustical Exploration, Science and Incessancy,” by

Journal

Leonardo Music Journal – MIT Press

Published: Dec 1, 2008

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