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Dialogue A: âYou wait. . . . Iâll send a message over. . . . You wait. . . . I do feel guilt. I do. I really do feel guilt. . . .â Via Regia, 2010 Projector and video projection, found objects, model magic, acrylic, and epoxy putty mounted on steel armature. 61.25 x 8 x 19 inches (155.6 x 20.3 x 48.3 cm) Courtesy Lehmann Maupin Gallery. 36 îª PAJ 98 (2011), pp. 36â41. © 2011 Tony Oursler The Uncanny World of Tony oUrsler P eak is the title of an exhibition of new works by Tony Oursler that were on view at Lehmann Maupin on New York Cityâs Lower East Side, from October 7 through December 4, 2010. Peak addressed ways in which technology affects the human psyche, in microcosmic scenes that reflect obsession, escapism, isolation, and sexual fetish. âThereâs a kind of rhyming and riffing on physical space and machine language juxtaposed against artificial intelligence,â says Oursler. The installations refer to dynamic systems and models, such as flowcharts, Rube Goldberg machines, and astronomical orreries in projections that combine glass, clay, steel, and raw materials with performed texts by the artist and other performers. âThese
PAJ: A Journal of Performance and Art – MIT Press
Published: May 1, 2011
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