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The Tragic Art of Eco-Sound

The Tragic Art of Eco-Sound In this article, the author analyzes the work of two artists, Miki Yui and Jana Winderen, who respond to unprecedented ecological change by using nature field recordings as the foundational element of their compositions and installations. Their works replicate environmental dissolution and dislodge listeners from the habits and assumptions of everyday life. The author draws upon the work of sociologist Henri Lefebvre, defining rhythmanalysis, the everyday, and, in Lefebvre’s words, the “dialectical dynamic between tragedy and daily life.” http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Leonardo Music Journal MIT Press

The Tragic Art of Eco-Sound

Leonardo Music Journal , Volume December 2015 – Dec 1, 2015

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Publisher
MIT Press
Copyright
©2015 ISAST
Subject
Articles and Notes
ISSN
0961-1215
eISSN
1531-4812
DOI
10.1162/LMJ_a_00925
Publisher site
See Article on Publisher Site

Abstract

In this article, the author analyzes the work of two artists, Miki Yui and Jana Winderen, who respond to unprecedented ecological change by using nature field recordings as the foundational element of their compositions and installations. Their works replicate environmental dissolution and dislodge listeners from the habits and assumptions of everyday life. The author draws upon the work of sociologist Henri Lefebvre, defining rhythmanalysis, the everyday, and, in Lefebvre’s words, the “dialectical dynamic between tragedy and daily life.”

Journal

Leonardo Music JournalMIT Press

Published: Dec 1, 2015

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