Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

The Sonic Witness: On the Political Potential of Field Recordings in Acoustic Art

The Sonic Witness: On the Political Potential of Field Recordings in Acoustic Art Contemporary sonic artworks often use field recordings from places of historic or social significance to address political issues. This article discusses relevant works for radio and fixed media by Peter Cusack, Jacob Kirkegaard, Eliška Cílková, Anna Friz and Public Studio, Stéphane Garin and Sylvestre Gobart, Ultra-red, and Matthew Herbert and outlines how they use both audio and visual/textual information to create awareness of the issues inscribed in these places, from current environmental concerns to the memory of genocide and displacement. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Leonardo Music Journal MIT Press

The Sonic Witness: On the Political Potential of Field Recordings in Acoustic Art

Leonardo Music Journal , Volume December 2015 – Dec 1, 2015

Loading next page...
 
/lp/mit-press/the-sonic-witness-on-the-political-potential-of-field-recordings-in-t9UI9dmk9P

References (9)

Publisher
MIT Press
Copyright
©2015 ISAST
Subject
Articles and Notes
ISSN
0961-1215
eISSN
1531-4812
DOI
10.1162/LMJ_a_00926
Publisher site
See Article on Publisher Site

Abstract

Contemporary sonic artworks often use field recordings from places of historic or social significance to address political issues. This article discusses relevant works for radio and fixed media by Peter Cusack, Jacob Kirkegaard, Eliška Cílková, Anna Friz and Public Studio, Stéphane Garin and Sylvestre Gobart, Ultra-red, and Matthew Herbert and outlines how they use both audio and visual/textual information to create awareness of the issues inscribed in these places, from current environmental concerns to the memory of genocide and displacement.

Journal

Leonardo Music JournalMIT Press

Published: Dec 1, 2015

There are no references for this article.