Access the full text.
Sign up today, get DeepDyve free for 14 days.
(2013)
Composing for Guitar: Technical and Acoustical Parameters of Composing for Guitar
(2004)
Cyrano-Szenen (Karlsruhe: the composer, 2004) part VI
(1984)
For a reproduction of the print , search “ Si amanece , nos Vamos
Rita Torres, Paulo Ferreira-Lopes (2018)
The sound world of guitar multiphonics
(2013)
Physically-Informed Indirect Acquisition of Instrumental Gestures on the Classical Guitar: Extracting the Angle of Release
E. Powell (2017)
On Tuning Systems and Harmony: A Practical Guide to the Extended Helmholtz-Ellis JI Pitch Notation
Rita Torres (2020)
The Presence of a Mysterious Black Silhouette: From a Print to a New Form of Usage of Guitar MultiphonicsLeonardo Music Journal
(2011)
Suplemento, pp
(2011)
The Adaptation of Bağlama Techniques into Classical Guitar Performance: Contemporary Techniques
K. Dore (2008)
Representations of witches in nineteenth century music
(2009)
Delume, “Instruments a Frettes et Nouveaux Accordages (Micro tunings)
She holds a PhD in Science and Technology of the Arts from the Portuguese Catholic University, as well as degrees in Chemical Engineering
(2018)
How to Write for Guitar: An Explanation for Non Guitarist Composers (1983)
(2015)
Sculpting sound on the classical six-string guitar
(1985)
The Contemporary Guitar (Berkeley, CA
(1967)
New Sounds for Woodwind (London
Rita Torres (2015)
A new chemistry of sound : the technique of multiphonics as a compositional element for guitar and amplified guitar
(2010)
Some Notes on Writing for the Guitar (The author
(1983)
A Música Contemporânea Portuguesa para Guitarra de
Shortly before the final resubmission of this article, Tempo published a special issue dedicated to string multiphonics, but it does not address the classical guitar
Halsey Stevens (1959)
For the ComposerJournal of Music Theory, 3
Seth Josel, M. Tsao (2014)
The techniques of guitar playing
(2011)
Armónicos
The author recounts how she came to carry out artistic research on guitar multiphonics when composing a piece for solo guitar. She explains how the investigation gave rise to a new form of usage of that unconventional technique.
Leonardo Music Journal – MIT Press
Published: Dec 10, 2020
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.