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TA [P] CHAS: References to Indigenous Traditions in Peruvian Electroacoustic Composition of the 1960s

TA [P] CHAS: References to Indigenous Traditions in Peruvian Electroacoustic Composition of the... This article reviews the compositional practice of Peruvian electroacoustic music in the 1960s, to investigate the methods and sources of influence on music and new technologies of that time. It therefore explores local expressions and national and regional identities through elements of folk and traditional music used in these practices. The analysis of this repertoire, from a cross-cultural perspective, sheds new light on the history and originality of experimental art and music in Peru, as well as on Peruvian ethnomusicology. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Leonardo Music Journal MIT Press

TA [P] CHAS: References to Indigenous Traditions in Peruvian Electroacoustic Composition of the 1960s

Leonardo Music Journal , Volume (27): 5 – Dec 29, 2017

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Publisher
MIT Press
Copyright
Copyright © MIT Press
ISSN
0961-1215
eISSN
1531-4812
DOI
10.1162/LMJ_a_01026
Publisher site
See Article on Publisher Site

Abstract

This article reviews the compositional practice of Peruvian electroacoustic music in the 1960s, to investigate the methods and sources of influence on music and new technologies of that time. It therefore explores local expressions and national and regional identities through elements of folk and traditional music used in these practices. The analysis of this repertoire, from a cross-cultural perspective, sheds new light on the history and originality of experimental art and music in Peru, as well as on Peruvian ethnomusicology.

Journal

Leonardo Music JournalMIT Press

Published: Dec 29, 2017

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