Access the full text.
Sign up today, get DeepDyve free for 14 days.
Loading next page...
/lp/mit-press/sound-jewelry-U1pH0iwFDB
References (10)
-
(2007)
Iwatake, “An Interactive Musical Installation through Spatial Sensing, -
(2005)
An Interactive Musical Installation through Spatial Sensing," presented at 4th International Mobile Music Workshop -
(1988)
Interview with Bruce Smeaton -
The participant’s physical condition such as body temperature and the waveshape of his or her heartbeat can be measured so that musically useful parameters can be extracted from them -
Takuya Yamauchi, Toru Iwatake (2008)
Design of a process for interactive product in ubiquitous spaceInternational Journal on Interactive Design and Manufacturing (IJIDeM), 2
-
R. Gehlhaar (1991)
SOUND = SPACE: an interactive musical environmentContemporary Music Review, 6
-
(1990)
Fair Exchanges -
For Open Sound Control Protocol, see -
The instruments are capable of communication with one another, so that part of the tunes generated by the instruments can be exchanged between them when they grow near each other -
For SuperCollider, see
- Publisher
- MIT Press
- Copyright
- © 2008 Massachusetts Institute of Technology
- Subject
- Articles and Notes
- ISSN
- 0961-1215
- eISSN
- 1531-4812
- DOI
- 10.1162/lmj.2008.18.33
- Publisher site
- See Article on Publisher Site
Abstract
The Sound Jewelry concept occurred to co-author Toru Iwatake, a composer, a few years ago. Since then, its realization has become a collaborative project with co-author Takuya Yamauchi, an interaction designer. Sound Jewelry is an evolving project, therefore the actual method of its realization may differ in one way or another with each use, but the essential concept of creating an interactive sound environment using sensing capabilities remains the same.
Journal
Leonardo Music Journal – MIT Press
Published: Dec 1, 2008