Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Sound Body: The Ghost of a Program

Sound Body: The Ghost of a Program The author considers the importance of the voice as a transformative instrument in 20th-century art, particularly in relation to the tape recorder and digital audio technology. He examines his collaborative work with sound poet Bob Cobbing in the 1970s and compares this with a recent gallery installation created with artist John Latham. Research from the 1970s into acoustic voice masking and resonance is contrasted with the use of analog tape process-ing and the sonic potential of computer audio software programs both in studio work and in improvised performance. Finally, the author discusses the implications of these con-frontations between body and machine. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Leonardo Music Journal MIT Press

Sound Body: The Ghost of a Program

Leonardo Music Journal , Volume December 2005 (15) – Dec 1, 2005

Loading next page...
 
/lp/mit-press/sound-body-the-ghost-of-a-program-I0XKrWSdHi

References (15)

Publisher
MIT Press
Copyright
© 2005 ISAST
Subject
Articles; The Word: Voice, Language and Technology
ISSN
0961-1215
eISSN
1531-4812
DOI
10.1162/lmj.2005.15.1.28
Publisher site
See Article on Publisher Site

Abstract

The author considers the importance of the voice as a transformative instrument in 20th-century art, particularly in relation to the tape recorder and digital audio technology. He examines his collaborative work with sound poet Bob Cobbing in the 1970s and compares this with a recent gallery installation created with artist John Latham. Research from the 1970s into acoustic voice masking and resonance is contrasted with the use of analog tape process-ing and the sonic potential of computer audio software programs both in studio work and in improvised performance. Finally, the author discusses the implications of these con-frontations between body and machine.

Journal

Leonardo Music JournalMIT Press

Published: Dec 1, 2005

There are no references for this article.