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Sonic Commentary: Bonus Ghost Tracks

Sonic Commentary: Bonus Ghost Tracks l m j 2 7 au d i o When n ic c ollins asked me to compile the audio is why I started to casually to ask some musician friends companion to an issue of LMJ dedicated to “Memory and to activate their memories and each make an effort to re- History,” the first thought that dawned on me—together call something that they had produced in some remote with being flattered by his invitation—was that he had moment of their career that was now, metaphorically or obviously turned to the “history guy” side of me more not, collecting dust somewhere. So, we have here artists than to any other of my musical selves. A conversation who happily decided to brush such dust out of the music followed with Nic, where I started to realize that maybe and found it beautiful or far more interesting than they I had been wrong. When separated from one anothere , xpected. This is the case of Elliott Sharp, with a piece and literally taken, the very concepts of “memory” and created some twenty years ago when he had just started “history” may suggest other meanings: “memory” could to use ProTools—which, by the http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Leonardo Music Journal MIT Press

Sonic Commentary: Bonus Ghost Tracks

Leonardo Music Journal , Volume (27): 2 – Dec 1, 2017

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Publisher
MIT Press
Copyright
Copyright © MIT Press
ISSN
0961-1215
eISSN
1531-4812
DOI
10.1162/LMJ_e_01030
Publisher site
See Article on Publisher Site

Abstract

l m j 2 7 au d i o When n ic c ollins asked me to compile the audio is why I started to casually to ask some musician friends companion to an issue of LMJ dedicated to “Memory and to activate their memories and each make an effort to re- History,” the first thought that dawned on me—together call something that they had produced in some remote with being flattered by his invitation—was that he had moment of their career that was now, metaphorically or obviously turned to the “history guy” side of me more not, collecting dust somewhere. So, we have here artists than to any other of my musical selves. A conversation who happily decided to brush such dust out of the music followed with Nic, where I started to realize that maybe and found it beautiful or far more interesting than they I had been wrong. When separated from one anothere , xpected. This is the case of Elliott Sharp, with a piece and literally taken, the very concepts of “memory” and created some twenty years ago when he had just started “history” may suggest other meanings: “memory” could to use ProTools—which, by the

Journal

Leonardo Music JournalMIT Press

Published: Dec 1, 2017

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