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Blake Stevens (2021)
Teaching Electronic Music
M. Horn, M. West, Cameron Roberts (2022)
Introduction to Digital Music with Python Programming
of two instrument layers. The layers can also be adjusted. The timbre of Expressive E Imagine Software combine two resonant bodies (tubes, instruments played by noise can be Instrument strings, bars, or skins) and excites adjusted using Color, Resonance, these using a mallet, a noise signal, and Grain knobs. The noise can also Expressive E, creator of the Touche or a sequence. Layers can be swapped be modulated by a low-frequency MIDI/CV controller and the Osmose out to create new combinations. The oscillator (LFO), with controls for the keyboard synthesizer/controller, has sound engine behind the resonant shape, rate, and amount. There is a teamed up with Applied Acoustics bodies and mallets are based on double arpeggiator for instruments Systems (AAS), renowned for their physical modeling of real-world that are played with a sequence, with physical modeling software instru- instruments by AAS. timbre knobs for each arpeggiator and ments, to create a new software The user can control the charac- a randomizer. plug-in instrument called Imagine teristics and intensity at which the An Intensity knob controls the (see Figure 1). resonant bodies are excited, and a overall intensity of the excitation Imagine allows the user to cre- modulation system can
Computer Music Journal – MIT Press
Published: Jun 1, 2021
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