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art & performance notes Habit, conceived and directed by David Levine. Photo: Julieta Cervantes. Courtesy French Institute Alliance Française. Performance Geometries â a Primer Ryan Anthony Hatch Crossing the Line Festival, presented by the French Institute Alliance Française, New York City, September 14âOctober 14, 2012. The stage is the line which stands across the path of the optic pencil, tracing at once the point at which it is brought to a stop and, as it were, the threshold of its ramification. Roland Barthes, âDiderot, Brecht, Eisensteinâ I: LInes Brian Rogersâs claustrophobic, seductive video/performance piece. In dance, the Tanztheater aesthetic continues to dominate the field â a fact to which Raimund Hogheâs Pas de Deux, Jack Ferverâs Mon Ma Mes, and Faustin Linyekulaâs Le Cargo, all bear dramatic witness. And in the gallery art world, immaterial happenings that engage the beholder in immersive experiences and leave little or no trace are pushing visual art to the outer limit of theatrical ephemerality, a limit point on which David Levine has staked the better part of his career. Even a cursory survey demonstrates that mixing media and blurring distinctions has for some time now been the order of the day. The
PAJ: A Journal of Performance and Art – MIT Press
Published: May 1, 2013
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