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(2008)
Klaus Biesenbach in Conversation with Marina Abramovic
Cornelia Butler, M. Zegher, Umberto Boccioni, Isaiah Taber, Kurt Schwitters (2010)
On Line: Drawing Through the Twentieth Century
Moving Marks Brooke Carlson Draw to Perform 3, live drawing performance symposium curated by Ram Samocha, The Crows Nest Gallery, London, July 30â31, 2016. he resurgence of drawing within contemporary art comes at a time in the digital age in which it is important to trace the traditions and conventions of what it means to draw. This resurgence is seen in recent museum exhibitions such as Drawing | THE BOTTOM LINE at S.M.A.K in Belgium (2015â16), annual festivals such as Drawing Now in Paris or The Big Draw in the UK, and in contemporary spaces such as Drawing Room, London (founded in 2002), specifically dedicated to the drawing discipline. Over the past few years, the performative aspect of drawing and the role of the body in the gesture has become increasingly prominent. Evidencing the physicality of the body in the drawing process has risen in response to the continually advancing digitalized and technological versions of writing, drawing, and marking. By crossing over into the field of performance art, artists have begun to explore how far the gesture can be extended regarding method, process, materials, space, and duration. This investigation of performative drawing was highlighted at the international live
PAJ: A Journal of Performance and Art – MIT Press
Published: Jan 1, 2017
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