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Leonardo Volume 50 and Leonardo Music Journal Volume 27

Leonardo Volume 50 and Leonardo Music Journal Volume 27 2 0 1 7 au t h o r i n d e x Leonardo Volume 50 and Leonardo Music Journal Volume 27 A’BEAR, LUKE; HAYWARD, JAMES BAETENS, JAN. Review of The Perversity BOWEN, DAVID. “Experiments at Dje- CURTIS and ROOT-BERNSTEIN, of Things: Hugo Gernsback on Media, rassi,” in “Scientific Delirium Mad - MEREDITH. “Conservation Science Tinkering, and Scientifiction edited by ness 3.0” Gallery section, Leonardo 50, and Contemporary Art: Thinking Grant Wythoff, Leonardo 50, No. 5 No. 3 (2017). about Tenerife,” Leonardo 50, No. 1 (2017). BROAD, TERENCE and GRIERSON, (2017). BAETENS, JAN. Review of Rogue Ar­ MICK. “Autoencoding Blade Runner: AHMEDIEN, DIAA AHMED MO- chives: Digital Cultural Memory and Reconstructing Films with Artificial HAMED. “Reactivating the Neural Media Fandom by Abigail De Kosnik, Neural Networks,” in Leonardo Spe- Dimension Role in Interactive Arts,” Leonardo 50, No. 5 (2017). cial Issue: SIGGRAPH 2017 Art Papers Leonardo 50, No. 2 (2017). BAETENS, JAN. Review of Selling Digi­ and Unsettled Artifacts Art Gallery, ALBRECHT, KIM; DÖRK, MARIAN tal Music, Formatting Culture by Leonardo 50, No. 4 (2017). and MÜLLER, BORIS. “Culturegra- Jeremy Wade Morris, Leonardo 50, BROSENS, KOENRAAD; AERTS, JAN; phy,” in Special Section “Highlights No. 1 (2017). ALEN, KLARA; http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Leonardo Music Journal MIT Press

Leonardo Volume 50 and Leonardo Music Journal Volume 27

Leonardo Music Journal , Volume (27): 6 – Dec 1, 2017
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Publisher
MIT Press
Copyright
Copyright © MIT Press
ISSN
0961-1215
eISSN
1531-4812
DOI
10.1162/LMJ_x_01027
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Abstract

2 0 1 7 au t h o r i n d e x Leonardo Volume 50 and Leonardo Music Journal Volume 27 A’BEAR, LUKE; HAYWARD, JAMES BAETENS, JAN. Review of The Perversity BOWEN, DAVID. “Experiments at Dje- CURTIS and ROOT-BERNSTEIN, of Things: Hugo Gernsback on Media, rassi,” in “Scientific Delirium Mad - MEREDITH. “Conservation Science Tinkering, and Scientifiction edited by ness 3.0” Gallery section, Leonardo 50, and Contemporary Art: Thinking Grant Wythoff, Leonardo 50, No. 5 No. 3 (2017). about Tenerife,” Leonardo 50, No. 1 (2017). BROAD, TERENCE and GRIERSON, (2017). BAETENS, JAN. Review of Rogue Ar­ MICK. “Autoencoding Blade Runner: AHMEDIEN, DIAA AHMED MO- chives: Digital Cultural Memory and Reconstructing Films with Artificial HAMED. “Reactivating the Neural Media Fandom by Abigail De Kosnik, Neural Networks,” in Leonardo Spe- Dimension Role in Interactive Arts,” Leonardo 50, No. 5 (2017). cial Issue: SIGGRAPH 2017 Art Papers Leonardo 50, No. 2 (2017). BAETENS, JAN. Review of Selling Digi­ and Unsettled Artifacts Art Gallery, ALBRECHT, KIM; DÖRK, MARIAN tal Music, Formatting Culture by Leonardo 50, No. 4 (2017). and MÜLLER, BORIS. “Culturegra- Jeremy Wade Morris, Leonardo 50, BROSENS, KOENRAAD; AERTS, JAN; phy,” in Special Section “Highlights No. 1 (2017). ALEN, KLARA;

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Leonardo Music Journal – MIT Press

Published: Dec 1, 2017

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