Access the full text.
Sign up today, get DeepDyve free for 14 days.
M. Hansen (1993)
"With Skin and Hair": Kracauer's Theory of Film, Marseille 1940Critical Inquiry, 19
Adorno , “ Chaplin Times Two
J. Staiger (1979)
Dividing Labor for Production Control: Thomas Ince and the Rise of the Studio SystemCinema Journal, 18
Theodor Adorno, J. Mackay (1996)
Chaplin Times TwoThe Yale Journal of Criticism, 9
S. Hake (1990)
Chaplin Reception in Weimar GermanyNew German Critique
Nicole Brénez (2011)
T.W. Adorno: Cinema in Spite of Itself—But Cinema all the SameCultural studies review, 13
Scrutinizing the writings by Walter Benjamin, Siegfried Kracauer, and Theodor W. Adorno and connecting them to specific comedy scenes and tropes, this essay explores the fascination for American slapstick comedies and comedians by the philosophers of the Frankfurt School. Although often critical of mass entertainment, Benjamin, Kracauer, and Adorno admired the way slapstick film elevated motion and speed to an art form that answered to the rhythms and dangers of an industrialized society. For these writers, slapstick's crude and anarchic humor and anthropomorphizing of everyday objects offered a means of resistance against the forces of modernization through ludic encounters.
October – MIT Press
Published: Jun 1, 2017
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.