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Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval

Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins... From the initial release of the CD in 1982, artists have tampered with the system to test it, compose with it and sample from it. The author examines the use of the cracked and manipulated CD in the work of Yasunao Tone, Nicolas Collins and Oval in relation to their differing approaches and the role of the CD in sound expansion. Tone and Collins are interested in indeterminacy and the benevolent catastrophe in composition, while Oval's process has more in common with pop production and studio practices. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Leonardo Music Journal MIT Press

Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval

Leonardo Music Journal , Volume December 2003 (13) – Dec 1, 2003

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Publisher
MIT Press
Copyright
© 2003 ISAST
Subject
Articles; Groove, Pit and Wave: Recording, Transmission and Music
ISSN
0961-1215
eISSN
1531-4812
DOI
10.1162/096112104322750782
Publisher site
See Article on Publisher Site

Abstract

From the initial release of the CD in 1982, artists have tampered with the system to test it, compose with it and sample from it. The author examines the use of the cracked and manipulated CD in the work of Yasunao Tone, Nicolas Collins and Oval in relation to their differing approaches and the role of the CD in sound expansion. Tone and Collins are interested in indeterminacy and the benevolent catastrophe in composition, while Oval's process has more in common with pop production and studio practices.

Journal

Leonardo Music JournalMIT Press

Published: Dec 1, 2003

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