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Thomas Mcevilley (1999)
Sculpture in the age of doubt
David Revill (1992)
The Roaring Silence: John Cage: A Life
K. Silverman (2010)
Begin Again: A Biography of John Cage
(1992)
Wilheim, A John Cage Compendium, http://cagecomp.home.xs4all.nl/. Two very different biographies are David Revill, The Roaring Silence: John Cage, A Life (New York: Arcade; London: Bloomsbury
Cage in PrinCiPle George Quasha BOOK REVIEWED: Kay Larson, Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists. New York: Penguin Press, 2012. My intention has been, often, to say what I had to say in a way that would exemplify it; that would, conceivably, permit the listener to experience what I had to say rather than just hear about it. John Cage ohn Cageâs commitment to direct experience in writing, expressed in this first of many citations in Kay Larsonâs extraordinary new biography, states a core intention of his writing and lecture-performance, and it seems designed to alert Larsonâs reader to an unusual agenda of her own book: to do much as Cage himself would do. Thatâs because Where the Heart Beats is far more than a biography in the classical sense, of which there are already useful, if limited, precedents.1 Larson sets her intentions at the level of Cageâs out of a deeply felt conviction that what is at stake in his life, work, and influence is of the greatest importance. She presents this in terms of historical impact on artists and art of all kinds, but also with respect to
PAJ: A Journal of Performance and Art – MIT Press
Published: Sep 1, 2012
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