Beyond Painting
Krauss, Rosalind E.
2022-08-01 00:00:00
Rosalind Krauss argues that the 2020 Donald Judd retrospective at the Museum of Modern Art shows that the painterly side of this famously “anti-painter” artist was more pronounced than he would have ever admitted.
http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.pngOctoberMIT Presshttp://www.deepdyve.com/lp/mit-press/beyond-painting-fMLJP8pfHy
Rosalind Krauss argues that the 2020 Donald Judd retrospective at the Museum of Modern Art shows that the painterly side of this famously “anti-painter” artist was more pronounced than he would have ever admitted.
To get new article updates from a journal on your personalized homepage, please log in first, or sign up for a DeepDyve account if you don’t already have one.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.