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Benedict Drew: Archive Tape from the Suffolk Concrete Music Centre 1972

Benedict Drew: Archive Tape from the Suffolk Concrete Music Centre 1972 re hong-Kai Wang: The Broken orchesTra liVe in sTockholM nc Conceived by Hong-Kai Wang. Performers: Maria Arnqvist (alto saxophone), Anders Bryngelsson (electronics), George Kentros (violin), Robin McGinley (cello), Cecilia Österholm (Swedish keyed fiddle) and Robert Spångberg (piano). Recorded by Erik Rosshagen at “Transposed Order—Open House Spring 2013,” sponsored by Iaspis, Stockholm, Sweden, 16 March 2013. or Contact: E-mail: . Website: . The Broken Orchestra Live in Stockholm uses the Austrian modern composer Arnold Schoenberg’s famous quip, “My music is not really modern, just badly played” as its formal performative directive, by inviting several professional musicians on different instruments to respond to and reinterpret a childhood recording of Bach’s “Ave Mari”’ as performed by me and my brother. The work shares an impromptu discussion, exercise and performance as the audience witnesses the construction of a unique sonic space. Born in Huwei, Taiwan, Hong-Kai Wang received a B.A. in Political Science from National Taiwan University, Taipei, and an M.A. in Media Studies from The New School University, New York. She works with sound as a conceptual means to investigate relations and the construction of new social space, focused on a collaborative and U ct Developed within several different disciplines, the http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Leonardo Music Journal MIT Press

Benedict Drew: Archive Tape from the Suffolk Concrete Music Centre 1972

Leonardo Music Journal , Volume December 2013 (23) – Dec 1, 2013

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Publisher
MIT Press
Copyright
© 2013 ISAST
Subject
CD Contributors' Notes
ISSN
0961-1215
eISSN
1531-4812
DOI
10.1162/LMJ_a_00178
Publisher site
See Article on Publisher Site

Abstract

re hong-Kai Wang: The Broken orchesTra liVe in sTockholM nc Conceived by Hong-Kai Wang. Performers: Maria Arnqvist (alto saxophone), Anders Bryngelsson (electronics), George Kentros (violin), Robin McGinley (cello), Cecilia Österholm (Swedish keyed fiddle) and Robert Spångberg (piano). Recorded by Erik Rosshagen at “Transposed Order—Open House Spring 2013,” sponsored by Iaspis, Stockholm, Sweden, 16 March 2013. or Contact: E-mail: . Website: . The Broken Orchestra Live in Stockholm uses the Austrian modern composer Arnold Schoenberg’s famous quip, “My music is not really modern, just badly played” as its formal performative directive, by inviting several professional musicians on different instruments to respond to and reinterpret a childhood recording of Bach’s “Ave Mari”’ as performed by me and my brother. The work shares an impromptu discussion, exercise and performance as the audience witnesses the construction of a unique sonic space. Born in Huwei, Taiwan, Hong-Kai Wang received a B.A. in Political Science from National Taiwan University, Taipei, and an M.A. in Media Studies from The New School University, New York. She works with sound as a conceptual means to investigate relations and the construction of new social space, focused on a collaborative and U ct Developed within several different disciplines, the

Journal

Leonardo Music JournalMIT Press

Published: Dec 1, 2013

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