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E. Deruty, Damien Tardieu (2014)
About Dynamic Processing in Mainstream MusicJournal of The Audio Engineering Society, 62
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Using compression to reduce dynamic range allows for an increase in level
has developed recommendations for streaming audio, which will hopefully be adopted by streaming audio providers such as Spotify and Pandora. At the time of writing
(2015)
Examples of such softwares are 10EaZy by SG Audio (DK) and Metrao by Event Acoustics (NL). See also: J. Navne
available from
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Imperfect sound forever: loudness wars, listening formations and the history of sound reproductionPopular Music, 32
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Has the Loudness War been won?
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Algorithms to measure audio programme loudness and true-peak audio level
Dynamic Range Day
In such cases, live pop and rock can be understood as an exception to the Shannon-Weaver model-not to mention situations where the audience sings along
The End of the Loudness War?
Bob Katz, R. Katz (2002)
Mastering Audio: The Art and the Science
This article discusses new sound pressure level (SPL) measurement strategies in the context of live music. A brief overview of the introduction of loudness normalization in broadcast audio engineering precedes a discussion of using average sound levels in measurements at concerts. The article closes with a short analysis of the implications of these developments for the notion of agency in the sociotechnical domain of audio production.
Leonardo Music Journal – MIT Press
Published: Dec 1, 2016
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