Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

A (Still) Marginal Modernity, or The Artist as Stenographer

A (Still) Marginal Modernity, or The Artist as Stenographer This essay discusses some of the stakes involved in this issue's cluster of texts on women photographers of Weimar Germany. They are critical assessments by contemporary art historians that draw attention to the still unfinished feminist project of questioning disciplinary assumptions around gender, sexuality, labor, and technologies of reproduction. These essays accompany four new translations of articles written in the 1960s and ’70s by a participant of that historical moment, Lucia Moholy, whose early reflections on the historical avant-gardes anticipate its feminist critique. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png October MIT Press

A (Still) Marginal Modernity, or The Artist as Stenographer

October : 5 – May 1, 2020

Loading next page...
 
/lp/mit-press/a-still-marginal-modernity-or-the-artist-as-stenographer-D8pETtUviO
Publisher
MIT Press
Copyright
Copyright © MIT Press
ISSN
0162-2870
eISSN
1536-013X
DOI
10.1162/octo_a_00390
Publisher site
See Article on Publisher Site

Abstract

This essay discusses some of the stakes involved in this issue's cluster of texts on women photographers of Weimar Germany. They are critical assessments by contemporary art historians that draw attention to the still unfinished feminist project of questioning disciplinary assumptions around gender, sexuality, labor, and technologies of reproduction. These essays accompany four new translations of articles written in the 1960s and ’70s by a participant of that historical moment, Lucia Moholy, whose early reflections on the historical avant-gardes anticipate its feminist critique.

Journal

OctoberMIT Press

Published: May 1, 2020

There are no references for this article.