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An Intentional Spectacle: 'HPSCHD' at Eyebeam
Charles Dodge (1984)
Computer music
F. Auma (2014)
THE MATHEMATICS OF COMMUNICATION
Lucy Lippard (1973)
Six years : the dematerialization of the art object from 1966 to 1972 : a cross-reference book of information on some esthetic boundaries ...
(1981)
Composing with Computers: A Progress Report
A. Schoenberg (1950)
Style and Idea
Stephen Husarik (1983)
John Cage and LeJaren Hiller: HPSCHD, 1969American Music, 1
A. Allen (1974)
Computer music.Science, 185 4148
Peter Westergaard, L. Hiller, Leonard Isaacson (1959)
Experimental Music. Composition with an Electronic ComputerJournal of Music Theory, 3
L. Hiller, Leonard Isaacson (1979)
Experimental music: Composition with an electronic computer
(1969)
American Music 1
Revisiting the Illiac Suite-a rule-based approach to stochastic processes":
D. Gillies, R. Meagher, D. Muller, R. McKay, J. Nash, J. Robertson, A. Taub (1957)
ON THE DESIGN OF A VERY HIGH-SPEED COMPUTER. Report No. 80
The full Illiac Suite score is included in Hiller and Isaacson
Report No. 80: On the Design of a Very High
Jasia Reichardt (1969)
Cybernetic serendipity : the computer and the arts
Hiller's compositions, expanded upon computational composer style analysis in his Experiments in Musical Intelligence (EMI) software; in his text Experiments in Musical Intelligence
(2016)
Zen and the Art of Software Performance: John Cage and Lejaren A. Hiller Jr. 's HPSCHD (1967-1969), " dissertation
Cage's 4'33
James Bohn (2004)
The Music of American Composer Lejaren Hiller and an Examination of His Early Works Involving Technology
A Musical Suite Composed by an Electronic Brain
In 1956, Lejaren A. Hiller, Jr., and Leonard Isaacson debuted the Illiac Suite, the first score composed with a computer. Its reception anticipated Hiller’s embattled career as an experimental composer. Though the Suite is an influential work of modern electronic music, Hiller’s accomplishment in computational experimentation is above all an impressive feat of postwar conceptual performance art. A reexamination of theoretical and methodological processes resulting in the Illiac Suite reveals a conceptual and performative emphasis reflecting larger trends in the experimental visual arts of the 1950s and 1960s, illuminating his eventual collaborations with John Cage and establishing his legacy in digital art practices.
Leonardo Music Journal – MIT Press
Published: Dec 1, 2018
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