Access the full text.
Sign up today, get DeepDyve free for 14 days.
B. Mak, A. Vera (1999)
The role of motion in children's categorization of objectsCognition, 71
David Huron (2008)
A Comparison of Average Pitch Height and Interval Size in Major- and Minor-key Themes: Evidence Consistent with Affect-related Pitch ProsodyEmpirical Musicology Review, 3
Bruce Baugh (1993)
Prolegomena to Any Aesthetics of Rock MusicThe Journal of Aesthetics and Art Criticism, 51
Marina Dobreva, W. O'Neill, G. Paige (2011)
Influence of aging on human sound localization.Journal of neurophysiology, 105 5
Caio Barros, W. Swardfager, Sylvain Moreno, Graziela Bortz, Beatriz Ilari, A. Jackowski, G. Ploubidis, T. Little, A. Lamont, H. Cogo-Moreira (2017)
Assessing Music Perception in Young Children: Evidence for and Psychometric Features of the M-FactorFrontiers in Neuroscience, 11
D. Rachbauer, K. LaBar, M. Doppelmayr, W. Klimesch (2002)
Increased event-related theta activity during emotional scene encodingBrain and Cognition, 51
L. Balkwill, W. Thompson (1999)
A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural CuesMusic Perception, 17
Y. Liu, Guangyuan Liu, D. Wei, Qiang Li, Guangjie Yuan, Shifu Wu, Gaoyuan Wang, Xingcong Zhao (2018)
Effects of Musical Tempo on Musicians’ and Non-musicians’ Emotional Experience When Listening to MusicFrontiers in Psychology, 9
(2004)
Psychological effects of fast-and slow-tempo music played during volleyball training in a national league team
S. Briggs, J. Cheek (1986)
The role of factor analysis in the development and evaluation of personality scalesJournal of Personality, 54
I. Peretz, D. Gaudreau, A. Bonnel (1998)
Exposure effects on music preference and recognitionMemory & Cognition, 26
R. Patterson, I. Nimmo-Smith, D. Weber, R. Milroy (1982)
The deterioration of hearing with age: frequency selectivity, the critical ratio, the audiogram, and speech threshold.The Journal of the Acoustical Society of America, 72 6
Leah Keplinger (1957)
The Expression of the Emotions in Man and AnimalsPhilosophical Studies, 7
D. Howard, S. Rosen, Victoria Broad (1992)
Major/Minor Triad Identification and Discrimination by Musically Trained and Untrained ListenersMusic Perception, 10
M. Reybrouck (1996)
Gestalt Concepts and Music: Limitations and Possibilities
R. Parncutt (2014)
The emotional connotations of major versus minor tonality: One or more origins?Musicae Scientiae, 18
Thomas Fritz, Sebastian Jentschke, N. Gosselin, D. Sammler, I. Peretz, R. Turner, A. Friederici, S. Koelsch (2009)
Universal Recognition of Three Basic Emotions in MusicCurrent Biology, 19
A. Leaver, A. Halpern (2004)
Effects of Training and Melodic Features on Mode PerceptionMusic Perception, 22
L. Bonetti, M. Costa (2019)
Musical mode and visual-spatial cross-modal associations in infants and adultsMusicae Scientiae, 23
L. Lo (2016)
Without conscious effort: The ability of nontonal language speakers to discriminate lexical and nonlexical tonesSwiss Journal of Psychology, 75
P. Heaton, B. Hermelin, L. Pring (1999)
Can children with autistic spectrum disorders perceive affect in music? An experimental investigationPsychological Medicine, 29
Jay Pearson, Christopher Morrell, S. Gordon-Salant, Larry Brant, E. Metter, Lisa Klein, J. Fozard (1995)
Gender differences in a longitudinal study of age-associated hearing loss.The Journal of the Acoustical Society of America, 97 2
J. Russell, L. Barrett (1999)
Core affect, prototypical emotional episodes, and other things called emotion: dissecting the elephant.Journal of personality and social psychology, 76 5
W. Mccown, R. Keiser, S. Mulhearn, David Williamson (1997)
The role of personality and gender in preference for exaggerated bass in music.Personality and Individual Differences, 23
Nicholas Myers, Soyeon Ahn, Ying Jin (2011)
Sample Size and Power Estimates for a Confirmatory Factor Analytic Model in Exercise and SportResearch Quarterly for Exercise and Sport, 82
Robert Goldstone, Andrew Hendrickson (2010)
Categorical perception.Wiley interdisciplinary reviews. Cognitive science, 1 1
A. Moore (2005)
Ten Little Title Tunes: Towards a Musicology of the Mass Media. By Philip Tagg and Bob Clarida. New York: Mass Media Music Scholars' Press, 2003. xvi+898 pp. ISBN 0-9701684-2-x (paperback).Popular Music, 24
M. Kastner, R. Crowder (1990)
Perception of the Major/Minor Distinction: IV. Emotional Connotations in Young ChildrenMusic Perception: An Interdisciplinary Journal, 8
M. Mitterschiffthaler, C. Fu, J. Dalton, C. Andrew, Steven Williams (2007)
A functional MRI study of happy and sad affective states induced by classical musicHuman Brain Mapping, 28
R. Crowder (1984)
Perception of the major/minor distinction: I. Historical and theoretical foundations.Psychomusicology: A Journal of Research in Music Cognition, 4
K. Hevner (1935)
The affective character of the major and minor mode in music
D. Roberson, J. Davidoff, I. Davies, L. Shapiro (2005)
Color categories: Evidence for the cultural relativity hypothesisCognitive Psychology, 50
J. Cunningham, Rebecca Sterling (1988)
Developmental change in the understanding of affective meaning in musicMotivation and Emotion, 12
Lap-Yan Lo, Wang Li, L. Lee, P. Yeung (2018)
Running in fear: an investigation into the dimensional account of emotion in discriminating emotional expressionsCognitive Processing, 19
J. Brosschot, B. Verkuil, J. Thayer (2016)
The default response to uncertainty and the importance of perceived safety in anxiety and stress: An evolution-theoretical perspective.Journal of anxiety disorders, 41
L. Trainor, B. Heinmiller (1998)
The development of evaluative responses to music:: Infants prefer to listen to consonance over dissonanceInfant Behavior & Development, 21
M. Kastner (1990)
Perception of major/minor : IV. Emotional connotations in young childrenMusic Perception, 8
Alicia Fernández-Sotos, A. Fernández-Caballero, J. Latorre (2016)
Influence of Tempo and Rhythmic Unit in Musical Emotion RegulationFrontiers in Computational Neuroscience, 10
J. Waterhouse, P. Hudson, B. Edwards (2010)
Effects of music tempo upon submaximal cycling performanceScandinavian Journal of Medicine & Science in Sports, 20
Takashi Fujisawa, N. Cook (2011)
The perception of harmonic triads: an fMRI studyBrain Imaging and Behavior, 5
J. Kopec, Ashleigh Hillier, A. Frye (2014)
The Valency of Music Has Different Effects on the Emotional Responses of Those with Autism Spectrum Disorders and a Comparison GroupMusic Perception: An Interdisciplinary Journal, 31
D. Levitin, Susan Rogers (2005)
Absolute pitch: perception, coding, and controversiesTrends in Cognitive Sciences, 9
L. Gagnon, I. Peretz (2003)
Mode and tempo relative contributions to “happy-sad” judgements in equitone melodiesCognition and Emotion, 17
Lele Fang, Junchen Shang, Nan Chen (2017)
Perception of Western Musical Modes: A Chinese StudyFrontiers in Psychology, 8
N. Cook, Takashi Fujisawa (2006)
The Psychophysics of Harmony Perception: Harmony is a Three-Tone PhenomenonEmpirical Musicology Review, 1
A. Halpern, J. Bartlett, W. Dowling (1998)
Perception of Mode, Rhythm, and Contour in Unfamiliar Melodies: Effects of Age and ExperienceMusic Perception, 15
A. Cohen (1990)
Understanding Musical SoundtracksEmpirical Studies of the Arts, 8
Murphy Mp, Gates Ga (1997)
Hearing Loss: Does Gender Play a Role?Medscape women's health, 2 10
D. Levitin (1994)
Absolute memory for musical pitch: Evidence from the production of learned melodiesPerception & Psychophysics, 56
Alexander Langmeyer, Angelika Guglhör-Rudan, C. Tarnai (2012)
What Do Music Preferences Reveal About Personality? A Cross-Cultural Replication Using Self-Ratings and Ratings of Music SamplesJournal of Individual Differences, 33
M. Shermer (2011)
The Believing Brain
Diversified emotional responses are generally referred as the evidence of showing categorical perception of major and minor modes. Yet it is uncertain whether the categorical performance is independent to the emotion tagging. This study therefore adopted a direct measure with the proper controlled stimuli to reexamine the categorial nature of major and minor modes across ages. Results showed that except the group of male elderly, untrained participants in all three age groups performed better than chance in the categorisation task. Their above chance level performance might therefore suggests an implicit working of the conceptualisation of major and minor. Suggestion on hearing ability and item validity were also made so that the performance of elderly and the potential performance difference between sex can be further interpreted.
International Journal of Developmental Science – IOS Press
Published: Jan 1, 2019
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.