Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

The Artifice of Literary Dreams

The Artifice of Literary Dreams When it comes to interpreting dreams, literary critics have a distinct advantage, it would appear, over practicing analysts. Readers would assume that storytellers have crafted dreams in fictions to illuminate their characters and have provided the elements that analysts must struggle to collect and select: especially the day residue, the larger contextual associations, and an overarching narrative. The dream of a 23-year old woman from Ellen Glasgow's 1925 novel, Barren Ground , should illustrate the critic's advantage. Consideration, however, of the larger context, shrouded associations, and multiple master narratives (formulated by Freud, Jung, and Kohut) that the critic can profitably employ in understanding the young woman's dream raises fundamental questions about the critic's presumed advantage. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of the American Academy of Psychoanalysis & Dynamic Psychiatry Guilford Press

Loading next page...
 
/lp/guilford-press/the-artifice-of-literary-dreams-MZtNbDTTGw

References

References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.

Publisher
Guilford Press
Copyright
© The American Academy of Psychoanalysis and Dynamic Psychiatry
Subject
Articles
ISSN
1546-0371
DOI
10.1521/jaap.33.1.207.65876
pmid
15953786
Publisher site
See Article on Publisher Site

Abstract

When it comes to interpreting dreams, literary critics have a distinct advantage, it would appear, over practicing analysts. Readers would assume that storytellers have crafted dreams in fictions to illuminate their characters and have provided the elements that analysts must struggle to collect and select: especially the day residue, the larger contextual associations, and an overarching narrative. The dream of a 23-year old woman from Ellen Glasgow's 1925 novel, Barren Ground , should illustrate the critic's advantage. Consideration, however, of the larger context, shrouded associations, and multiple master narratives (formulated by Freud, Jung, and Kohut) that the critic can profitably employ in understanding the young woman's dream raises fundamental questions about the critic's presumed advantage.

Journal

Journal of the American Academy of Psychoanalysis & Dynamic PsychiatryGuilford Press

Published: Mar 1, 2005

There are no references for this article.