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Richard D. Chessick Responds to Commentaries by Mark Leffert and Scott C. Schwartz: Harmonics in a Disharmonious Era, the Era of Techné

Richard D. Chessick Responds to Commentaries by Mark Leffert and Scott C. Schwartz: Harmonics in... COMMENTARIES AND AUTHOR'S RESPONSE 361 our postmodern world do serve to make the Self even more elusive. Chessick eloquently advocates the need to seek a real understanding of Human Nature in its absolute form. I would like to suggest this idea be applied to looking at the creation of art outside of our own collective awareness. REFERENCES Clark, K. (1969). Civilization. New York: Harper & Row. James, J. (1986). The traveler's key to medieval France. New York: Knopf. Porcher, J. (1959). Medieval French miniatures. New York: Abrams. Schwartz, S. (2004). Medieval orality, mothers, and bonding. Journal of the American Academy of Psychoanalysis and Dynamic Psychiatry, 32, 143-152. Richard D. Chessick Responds to Commentaries by Mark Leffert and Scott C. Schwartz Harmonics in a Disharmonious Era, the Era of Techné Through art alone are we able to emerge from ourselves, to know what another person sees of a universe which is not the same as our own and of which, without art, the landscapes would remain as unknown to us as those that may exist in the moon. . . . This work of the artist, this struggle, to discern beneath matter, beneath experience, beneath words, something that is http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Journal of the American Academy of Psychoanalysis & Dynamic Psychiatry Guilford Press

Richard D. Chessick Responds to Commentaries by Mark Leffert and Scott C. Schwartz: Harmonics in a Disharmonious Era, the Era of Techné

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References (28)

Publisher
Guilford Press
Copyright
© 2011 The American Academy of Psychoanalysis and Dynamic Psychiatry
ISSN
1546-0371
DOI
10.1521/jaap.2011.39.2.361
pmid
21699360
Publisher site
See Article on Publisher Site

Abstract

COMMENTARIES AND AUTHOR'S RESPONSE 361 our postmodern world do serve to make the Self even more elusive. Chessick eloquently advocates the need to seek a real understanding of Human Nature in its absolute form. I would like to suggest this idea be applied to looking at the creation of art outside of our own collective awareness. REFERENCES Clark, K. (1969). Civilization. New York: Harper & Row. James, J. (1986). The traveler's key to medieval France. New York: Knopf. Porcher, J. (1959). Medieval French miniatures. New York: Abrams. Schwartz, S. (2004). Medieval orality, mothers, and bonding. Journal of the American Academy of Psychoanalysis and Dynamic Psychiatry, 32, 143-152. Richard D. Chessick Responds to Commentaries by Mark Leffert and Scott C. Schwartz Harmonics in a Disharmonious Era, the Era of Techné Through art alone are we able to emerge from ourselves, to know what another person sees of a universe which is not the same as our own and of which, without art, the landscapes would remain as unknown to us as those that may exist in the moon. . . . This work of the artist, this struggle, to discern beneath matter, beneath experience, beneath words, something that is

Journal

Journal of the American Academy of Psychoanalysis & Dynamic PsychiatryGuilford Press

Published: Jun 1, 2011

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