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Purpose – Simon Cowell, the impresario behind The X Factor , a popular television talent show, has often been compared to P.T. Barnum, the legendary nineteenth century showman. This paper aims to examine the alleged parallels in detail and attempts to assess this “Barnum reborn” argument. Design/methodology/approach – Putative parallels between the impresarios are considered under the aegis of two long‐standing, if contentious, historical “theories”: time's cycle and the great man thesis. Findings – Seven broad similarities between the showmen are identified: vulgarity, hyperbole, rivalry, publicity, duplicity, liminality and history. In each case, the arguments pro and con are explored, as is humanity's propensity to personify. Originality/value – In accordance with the iconic literary critic Harold Bloom, who “strikes texts together to seek if they spark”, this paper strikes two celebrated showmen together to generate historical sparks.
Journal of Historical Research in Marketing – Emerald Publishing
Published: Apr 27, 2012
Keywords: P.T. Barnum; Simon Cowell; Historical recurrence; Great men; Personification; Entertainment; History
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